I had just finished a book when a surprise copy of Autumn at Flora’s House by Freya North arrived. Having adored each of the previous novellas in the series, I was thrilled and had to dive in straight away. My enormous thanks to Freya for sending me a copy.
You’ll find my reviews of other books by Freya here, although I have been reading her a couple of decades longer than I have been blogging!
You can purchase a signed copy of Autumn at Flora’s House here.
Autumn at Flora’s House
A mother, a daughter, a granddaughter – with questions to ask and secrets to share.
Josie Barraclough visited the Isle of Harris in the 1960s when she was 19. She’s never forgotten her trip, nor the boy she met. Now, almost sixty years later, she returns, bringing her daughter and granddaughter with her. But why has she come back? And how much will she tell them?
Her daughter, Martha, is an empty-nester in midlife. She isn’t sure anymore of her place in the world, but the matching solitude and melancholy to be found in the island both comforts and unnerves her.
And there’s Bea, having a tough time at University, who wonders if a tiny cottage in a remote place with her mum and granny is a good idea at all.
In Harris, the nights draw in, the birds are on the move, the weather brings change to the hills and the sea. But there are fine days too, autumn traditions abound, the gifts of the island are right here – if the Barracloughs choose to embrace them.
My Review of Autumn at Flora’s House
Martha, her mother Josie and daughter Bea, are spending their annual holiday together on the Isle of Harris.
Oh my word. What an utter pleasure to be back in Flora’s House. I have adored this series of books and Autumn at Flora’s House is just as wonderful as the others. The brilliantly described and capricious weather aside, it’s a quiet book that seeps into the soul of the reader unannounced, but that has dramatic impact so that I genuinely read much of the narrative with an emotional tightness in my throat. I felt as if I had been each of the three women at some point in my life, particularly Martha, and the deep understanding of time passing, hope, memory, love, loss and acceptance displayed through their personalities is mesmerising. As a result, there’s a real sense of personal growth not just for Bea, Martha and Josie, but for the reader too.
The dynamics between the three women in Autumn at Flora’s House are handled with utter dexterity. They can be prickly with one another, over-stepping the boundaries of care into attempted control or interference. They can be exasperated with, and resentful of, one another. But underneath it all is the bond of family and love that shimmers with hope and positivity. I loved the way they behave in a kind of kaleidoscope of inter-relations. Time together and apart shifts and alters, but they remain united, and create a beautiful pattern together. Reading Autumn at Flora’s House fills the reader with warmth and positivity. And it is absolute perfection that not all is revealed by, and about, each woman, because there is an essence of themselves that remains personal and private – just as we all have part of ourselves that others can never fully know. I thought this aspect of the novella was quite, quite fabulous.
Alongside the total understanding of relationships, Freya North creates a sense of place with such poignant beauty that the reader feels her settings internally and viscerally. They are wonderful; woven with texture and colour that places the reader right there with the characters. It’s impossible to read Autumn at Flora’s House and not want to visit the island.
Now that I’ve read all four of the Flora’s House novellas, I confess I feel somewhat bereft. I wish I could discover them for the first time once again. However, they also bear rereading in order fully to appreciate the nuances of humanity between the covers. Reading each book has felt like coming home to a place of belonging and I long to stay in Flora’s House and experience the peace, comfort and echoes of the past for myself.
Autumn at Flora’s House is poignant, realistic and uplifting. Its impact reverberates and echoes long after the final page is read. I cannot recommend it highly enough. Just wonderful.
About Freya North
Freya North’s novels explore the emotions and complexities of everyday relationships and families. First published in 1996 with her ground-breaking debut Sally, Freya has written 15 further bestsellers including the highly acclaimed Little Wing and The Unfinished Business of Eadie Browne. Translated into many languages, Freya won the Romantic Novel of the Year award for Pillow Talk and has been short-listed for others. A sense of place is central to Freya’s writing. Never a backdrop, always a leading character, locations featured in her novels include New England, France, British Columbia, North Yorkshire, Derbyshire, Norfolk, Freya’s own county of Hertfordshire and of course the Outer Hebrides.
Freya holds degrees in History of Art from the University of Manchester and the Courtauld Institute, London. She lives on a small farm in Hertfordshire with her dogs, horses and sheep. She enjoys ceramic classes and road cycling and loves to connect with her readers.
For further information, visit Freya’s website, follow her on X @freya_north or find Freya on Instagram and Facebook.
