It’s an absolute privilege to start off a blog tour and today I’m thrilled to welcome Emma Venables on the eve of publication to tell me all about her debut novel. My enormous thanks to Julia Forster for inviting me to take part.
Let’s find out more:
Staying in with Emma Venables
Welcome to Linda’s Book Bag Emma. Thank you for agreeing to stay in with me.
Hi Linda, thank you for having me on your wonderful blog!
You are most welcome. Tell me, which of your books have you brought along to share this evening and why have you chosen it?
I’ve brought along my debut novel, Fragments of a Woman, which will be published by Aderyn Press on 1st June 2023.
Happy publication day for tomorrow Emma. I know this is your debut so tell me a bit about how Fragments of a Woman came into being?
It has been a long road to publication – the novel was originally part of my Creative Writing PhD thesis which examined representations of German women in fiction about the National Socialist era and has been through many drafts and re-drafts, writes and re-writes, since then to become the book it is today. It’s a bit surreal to finally see it in print but I’m so excited to finally share it with the world.
I bet you are! What can we expect from an evening in with Fragments of a Woman?
I wrote Fragments of a Woman in an attempt to challenge the stereotypes we have of German women during the National Socialist era/World War Two and to give a voice to women whose stories may have been confined to the dregs of history (such as the character Gisela). I wanted to really sink in and examine the complexities of women’s experiences during this era and the decisions they might have had to make to survive. As a result, I didn’t feel I could write a novel with just one main character so there are five protagonists: Liesel, Lore, Ingrid, Greta, and Gisela.
That must have taken considerable plotting. I think it’s always fascinating to get herstory as well as history and can’t wait to read Fragments of a Woman. I’m so glad it’s on my TRB.
Fragments of a Woman is not always an easy read (a lot of it was difficult to write – at times I was in tears myself!) but if I’ve done my job right there will be pockets of joy and moments of intense sadness when reading the novel. Katie Munnik, author of the brilliant, The Aerialists, said it is ‘filled with hard love and raw light’ and I just love that description.
What a wonderful description.
What else have you brought along and why have you brought it?
Can I bring Berlin?
All of it? We can try to fit it in!
Here is the city that has relentlessly occupied my imagination for the past fourteen years and forms the backdrop of the majority of Fragments of a Woman. Whenever the wheels of a plane I’m on hit the tarmac in Berlin, I feel this strange sense of calm come over me. Perhaps it’s because I know that I’m going to find stories and characters I hadn’t expected to as I wander around the streets, visit museums and memorials. When researching and writing Fragments of a Woman, I went to Berlin several times and I’d always come back with extra bits I wanted to add to the novel – for example, Lore’s chapter on the beach with Wilhelm was inspired by a photograph I saw in The Topography of Terrors – and eventually I had to rein myself in. There’s a fine line in historical fiction between enough historical detail and information overload. Much of the research that didn’t make it into the novel has found its way into my short fiction and my second novel which follows Lore in the immediate aftermath of World War Two.
I think many authors find is hard to jettison so much of their research Emma.
I’ve also brought a gin and tonic which is my drink of choice.
Indeed you can. Many authors bring wine which makes me ill so I’m delighted to share a G+T with you instead.
One of the images I have in my head whenever I think of Fragments of a Woman is of Gisela and Volker in one of their Berlin bars – Gisela in her navy-blue tea dress and Volker in his purple waistcoat – dancing, with their glasses full. I love their friendship in the early parts of the novel, the fact they’re each other’s safe space in a world that’s tilting on its axis.
I have a feel that the kind of friendship you describe here Emma, is still very much needed today. Thank you so much for staying in with me to chat all about Fragments of a Woman. It sounds an intense and affecting book which I’m very much looking forward to reading.
Now, you pour us a drink and I’ll give reader’s a few more details about tomorrow’s publication.
Fragments of a Woman
Five women, trapped by duty, fighting to survive…
Gentle Ingrid puts her life at risk when she tries to save her beloved daughter from her husband’s zealous beliefs.Liesel, a lesbian, marries a gay man in hopes that they can feign the ideal marriage and, in doing so, protect each other from persecution.
Lovesick Greta, spurned by Liesel and lost, joins the Resistance, then disappears.
Gisela, a prostitute once contentedly in control of her own destiny, is incarcerated at Ravensbrück, where she must fight for a future she cannot yet imagine.
While Lore, craving a life beyond Berlin, wifedom and motherhood, steps down a dark and dangerous path.
Exploring themes of motherhood, identity, trauma, fascism, and survival, Fragments of a Woman offers a nuanced and heartbreaking exploration of what it meant to be a woman living under National Socialist rule.
Praise for Fragments of a Woman:
“A remarkable and memorable book, filled with hard light and raw love.” – Katie Munnik
“A novel that chronicles with an unwavering eye and sharp empathy the daily horrors of war.” – Douglas Cowie, author of Noon in Paris, Eight in Chicago
“Strong and original… heart-breaking… lives are ripped apart, lives are lost, love is forgone and love conquers as each of these trapped women attempts to survive.” – Jane Fraser
Fragments of a Woman is published by Aderyn Press in paperback on 1st June 2023 and is available to purchase from your local bookshop or directly from the publisher.
About Emma Venables
Emma Venables‘ short and flash fiction has been widely published in magazines and journals. Her short story, ‘Woman at Gunpoint, 1945’ was a runner-up in the Alpine Fellowship Writing Prize 2020. She has a PhD in Creative Writing and has taught at Royal Holloway, University of London and Liverpool Hope University.
For further information you can follow Emma on Twitter @EmmaMVenables, or visit Emma’s website. You’ll also find Emma on Instagram.
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