My enormous thanks to Mikka at Everything with Words for sending me a surprise copy of Almost A Ghost Story by Emily Bullock. Having so loved another of the Everything with Words books, The Silver Bones of Francis Winter by Fiona Goggin, reviewed here, I knew I’d be in for a special read and I’m delighted to share my review of Almost A Ghost Story today.
Almost A Ghost Story was published on 29th October and is available for purchase through the publisher links here.
Almost A Ghost Story
Four strangers. One liminal ferry. A final chance to choose love over regret.
When time stands still aboard a midnight Isle of Wight ferry, four passengers find their fates tragically bound together. Overseen by a cryptic ticket collector, they face a staggering choice: find the courage to embrace the love and responsibility they once fled, or remain trapped by their past forever. Two passengers are allowed to return. Can they undo the past? And on a vessel caught between worlds, who is fighting for their future-and who is already a ghost?
Almost a Ghost Story is a beautifully crafted speculative mystery about the enduring power of love, the haunting cost of a life half-lived, and the secrets we keep from ourselves.
My Review of Almost A Ghost Story
Four passengers, Ronan, Marin, Hollis and Jay, are on an Isle of Wight ferry.
Goodness me. How am I supposed to review Almost A Ghost Story? It’s sublime and I lack the vocabulary adequately to convey the beauty of Emily Bullock’s writing. I thought it was a wonderful, wonderful read. It might be a relatively slim book at just over 300 pages, but it took me ages to read because I had to savour every word – and not a word or syllable is wasted in this beautifully crafted story.
Indeed, how Almost A Ghost Story is written is every bit as important as what is written. The structure of the book is frequently fragmentary to reflect the concept of memory and half forgotten, or half remembered, experiences and people. The brief later sections written in broken paragraphs may have no punctuation, but they convey perfectly their meaning and impact, illustrating a possible intermediate moment between life and death. Sentence structure is varied so that the effect on the reader is enhanced and the absolute beauty of Emily Bullock’s prose is stunning. Her ability to convey each of the senses so that the reader experiences everything Ronan, Marin, Hollis and Jay experience is dazzling. I was utterly immersed in the narrative. The five sections feel perfectly attuned to the events and lend a Shakespearean quality to the book.
The story is so clever. The past and present swirl with subliminal meaning and the threads of the narrative are drawn together with both skill and sensitive humanity. Ronan, Marin, Hollis and Jay are linked in emotional and imaginative ways that mesmerise the reader.
I loved the characters unreservedly because through them, their interactions, and their innermost feelings, Almost A Ghost Story is a microcosm of life itself. Their multi-layered and wide ranging feelings and experiences are brimming with every possible aspect; from love and hope, through guilt and remorse to acceptance and peace. Almost A Ghost Story is a book that touches the reader and gives peace and solace whilst entertaining royally. Emily Bullock illustrates how the narrative of life is constructed, how we reframe events to suit our purposes and how, at times, we need to let go and be both lost and found.
I adored Almost A Ghost Story by Emily Bullock. It’s elegant, intelligent, entertaining and thrumming with compassion and hope. I’ll be thinking about Ronan, Marin, Hollis and Jay for a very long time and cannot recommend this book more.
About Emily Bullock
Emily Bullock won the Bristol Short Story Prize with her story ‘My Girl’, which was also broadcast on BBC Radio 4. Her short stories have been included in collections such as Aesthetica Creative Writing Anthology, A Short Affair (Scribner, 2018), and Bath Short Story Prize Anthology. She has an MA in 19th Century Literature from King’s College London, an MA in Creative Writing from the University of East Anglia, and completed her PhD at the Open University, where she is a Staff Tutor in Creative Writing. Her debut novel, The Longest Fight, was shortlisted for the Cross Sports Book Awards and listed in The Independent’s Paperbacks of the Year.
For further information about Emily find her on Instagram.



























