Had I, Mona Lisa by Natasha Solomons not been the chosen book for this month’s U3A reading group, I doubt I would have encountered it. I’m so glad I did and it’s my pleasure to share my review today.
I, Mona Lisa was published by Penguin in paperback in 23rd February 2023 and is available in all formats through the publisher links here.
I, Mona Lisa

The Mona Lisa has hung in the Louvre for over two-hundred years. She has watched alone in silence as millions of people have admired her behind the glass.
Now, she is finally ready to tell her own story.
Over five centuries, from da Vinci’s bustling Florentine studio to the opulent French court, Mona will be desired, stolen, heartbroken, curious, furious, and above all, she will be heard.
My Review of I, Mona Lisa
The life of the painting Mona Lisa told through her own voice.
What a remarkable book. Initially I wasn’t sure I was going to enjoy it as it took me a while to adjust my reluctant acceptance of a first person narrative told by a painting. I didn’t much like Mona Lisa either to begin with. However, my prejudices were entirely that – prejudice based on ill formed opinion, and I confess I was entirely wrong. I ended up being mesmerised by Natasha Solomons’ narrative.
It’s impossible to overstate the exquisite, meticulous and fascinating research that has gone into I, Mona Lisa. The historical details, the real people and places, and the superb insight into art that meld into the most convincing, sensuous prose, all provide a unique and spell-binding story. So vivid are descriptions, that Leonardo da Vinci’s paintings and drawings become instantly recognisable and the settings are fabulous. The narrative is an aesthetic delight – not least because of the realism included.
Whilst the reader is given huge insight into the artist, and thereby becomes almost as obsessed by Leonardo da Vinci as is Mona Lisa, it is the painting that is the star of the narrative. I love the bold first person signifier of the title, because even though Lisa becomes all things to all men over the centuries as they try to define and possess her, her sense of self is never diminished in the story. What made me despise her initially made me admire her later. I, Mona Lisa is a feminist text every much as it is a mesmerising imagining of the famous painting.
Indeed, it is the themes like feminism in I, Mona Lisa that are the greatest triumph for me as a reader. The sense of obsession and love, the depiction of power and corruption, the insight into greed and jealousy are all brilliantly illustrated. But above all, the sense of grief is utterly compelling. Lisa may be an unfinished image, but she is a fully emotional person too.
Whilst I usually zip through books, I, Mona Lisa took me ages to read. It is so intense, so intimate and so intricate that I needed time for my brain to assimilate and appreciate what I’d read. Honestly, I began reading I, Mona Lisa thinking I might not finish it, and ended up being stunned by its brilliance. It might be for every reader, but I thought it was wonderful.
About Natasha Solomons
Natasha Solomons is the author of five internationally bestselling novels, including Mr Rosenblum’s List, The Novel in the Viola, which was chosen for the Richard & Judy Book Club, and The Gallery of Vanished Husbands. Natasha lives in Dorset with her son, daughter and her husband, the children’s author, David Solomons with whom she also writes screenplays. Her novels have been translated into 17 languages. When not writing in the studio, Natasha can usually be found in her garden.
You can find Natasha on X @natashasolomons, and Instagram.




























