My huge thanks to Sriya Varadharajan at Penguin Random House for sending me a surprise copy of We Tell Lies by K. L. Slater. I’m delighted to share my review of We tell Lies today. 

We Tell Lies was published by Penguin’s Michael Joseph on 13th August 2026 and is available for purchase through the publisher links here.

We Tell Lies

Emily is ready to leave the lies behind. Moving into a beautiful new home and finally with money in the bank, her partner Oliver has promised that they can put their life as con artists firmly in the past. They can relax, settle in, even do ordinary things like getting dinner with the couple next door.

But what if the couple next door is hiding something too?

Because on picture-perfect Orchard Lane, something is not right. Unsettling messages start to arrive. Emily becomes convinced someone is watching them. And then Oliver begins to behave strangely as well.

She wants to trust him. She wants to believe they’re in this together ― especially if someone might know their darkest secrets.

But when murder comes to Orchard Lane, Emily realises she only knows one thing for sure about her husband.

He’s a very good liar…

My Review of We Tell Lies

Emily and Oliver are moving into Orchard Lane.

I am an idiot. I have never read K.L. Slater before and We Tell Lies has convinced me that I have been missing out. I thoroughly enjoyed this book because it is twisty, fast paced and filled with plausible, thoroughly toxic characters. Indeed, We Tell Lies could be defined as thoroughly nasty, but that is a complete compliment! 

The plot is so cleverly constructed, opening with a breathtakingly dramatic prologue that underpins the narrative but that keeps the reader guessing throughout. Under different time frames that develop the relationship between Emily and Oliver, the reader is drip fed intriguing information that makes them wonder just what the couple have really done. This makes for gripping reading and engages the imagination brilliantly. 

The Orchard Lane setting of We Tell Lies is fabulous. It lends a traditional unity of place whilst affording the development of characters who all have something to hide. Reading We Tell Lies certainly makes the reader look with fresh eyes at their own neighbours in a rather unsettling manner. We Tell Lies is the perfect embodiment of ‘all that glisters is not gold’ and had me reassessing so much of what goes on around me.

I loved the characters; particularly Emily as I was never quite certain how reliable a narrator she truly was, even though her first person account gives her status and focus. I found this completely intriguing. Through Emily and all her characters K. L. Slater explores the thin veneer of civilisation and, as a result, draws in the reader as they attempt to determine who is telling what lies. This is such absorbing writing. The psychology of who we are, what we do and how we present ourselves to others is handled so intelligently that it is impossible to put the book down.

However, all the adults aside, it was Roman and his friendship with Sanj that touched me the most. I would never have imagined a packet of Haribo might have felt so emotional! 

The themes in this cracking psychological novel are treated with such skill. In We Tell Lies K. L. Slater examines the nature of truth, upbringing, greed and relationships so entertainingly. But the most compelling element for me was the examination of morality. Several characters make the wrong choices for the right reasons and vice versa. Equally the reasons for some choices plunge the reader into their own moral dilemma in wondering how they might have behaved and chosen in the same circumstances. At the very least this is entertaining, but K.L. Slater makes it disturbing too.

I thought We Tell Lies was excellent. It’s thoroughly engaging, completely entertaining, twisty, compelling and interesting. We Tell Lies has shown me what I’ve been missing by not having read K. L. Slater before. Make sure you don’t make the same error! 

About K. L. Slater

Kim is the number one, Sunday Times bestselling author of over twenty-five psychological crime thrillers. She has sold over three million copies of her books worldwide and writes for Audible, Bookouture and Penguin Michael Joseph. She has also written four Carnegie-nominated Young Adult novels as Kim Slater for Macmillan Children’s Books. Kim has an MA in Creative Writing and lives with her husband in a small Nottinghamshire village. 

For further information visit Kim’s website, follow her on X @KLSlaterAuthor and find Kim on Instagram and Facebook. 

My enormous thanks to Tracey Iceton for sending me a copy of Sparky: my barn owl story in return for an honest review. It’s my pleasure to share that review today.

Published by Cinnamon on 11th May 2026, Sparky is available for purchase here. 

Sparky

Hatched in the UK in August 2017, Sparky is a captive-bred barn owl. Raised by humans, living with them, she accepts them as essential to her life, benefiting from the security they can provide, but suffering under the uncertainty they can inflict.

And here, thanks to her current human, t-raay-cee, Sparky recounts her unique story. By turn heart warming and disturbing, Sparky offers an owl’s-eye view of her relationship with her human mates and her search for a special human to bond with lifelong.

A mesmerising and ambitious work that crosses genres and raises important questions about how we connect deeply with the more-than-human world.

My Review of Sparky

The relationship between barn owl Sparky and humans.

What a wonderful book. I knew there would be considerable natural history interest for me between the covers of Sparky, but I hadn’t anticipated the wonderful craft of writing Tracey Iceton displays. Her prose is mesmerising, frequently poetic and highly effective in conveying the potential thoughts and feelings of Sparky. Never mind the interest of the barn owl, I think this volume would make a wonderful guide to writing for others. Initially I found the ‘pronunciation’ from Sparky a little discordant, but came to realise that it is exactly as it should be. Sparky is not human and had she been displayed that way it would have done her a huge disservice.

There’s a thoroughly engaging account here as Tracey and Sparky develop their relationship – and it is a relationship. That’s not to anthropomorphise Sparky, but rather to stress what an intelligent bird she is and how important she becomes to the author, whilst always being treated as a bird. We learn a considerable amount about Sparky’s nature, her care and her needs so that the book is informative as well as surprisingly touching and emotional. Some of this effect is created through the different time frames of Before and Now as they weave into a tapestry of how Sparky and Tracey came together. As a result, we get insight not just into Sparky but into Tracey’s personality too. 

I really enjoyed Sparky. It gives a fascinating insight into a world so few of us will encounter and Tracey Iceton provides that insight with compassion, sensitivity and considerable humility. Anyone remotely interested in the natural world will be entranced, entertained, enthralled and educated by Sparky. It’s not to be missed. 

About Tracey Iceton

Tracey Iceton is the author of four previous books. Her Celtic Colours Trilogy (2016-2019, Cinnamon Press) tells the story of a hundred years of Troubles in Ireland, following one family through four generations of the conflict from the Easter Rising to the Brexit Vote. Rock God Complex: The Mickey Hunter Story (2020, Cinnamon Press) recounts the exploits of Crown & Kingdom’s legendary guitarist Mickey Hunter.

Iceton’s articles and short stories have appeared in national and international journals, magazines and anthologies. She has won or been shortlisted in several notable writing competitions. Her doctorate, Troubles Women (2017, Northumbria University), was a practice-led project exploring the portrayal of female paramilitary protagonists in Troubles fiction.

Formerly an English and creative writing teacher, Tracey continues to work with emerging writers, offering mentoring and editing, although most of her time is divided between home life with her husband, cats and birds of prey, animal rescue volunteering and running, which she took up in case she ever needs to chase a furred or feathered friend

For further information, visit Tracey’s website.

My enormous thanks to Lisa at Verve for sending me a surprise copy of The Man by Laura Sims. I’m delighted to share my review of The Man Today.

Published by Verve on 23rd July 2026, The Man is available for purchase here.

The Man

The photos Judith Stanley takes are just for her, a private passion to fill her suburban days. But when she shares them with Paul Sorenson, her new photography instructor, she’s unprepared to hear his astonished praise. ‘Stunning,’ he calls her photos. ‘Extraordinary.’ She has an uncanny eye, he says, and should consider publication. He could help. Except Judith has no interest in sharing her work; in fact, the mere idea of it frightens her.

Still, emboldened by Paul’s encouragement, Judith ventures out beyond her quiet neighbourhood to the city in search of increasingly striking images. When she starts to notice the dark shape of a man in the corner of her self-portraits, Judith is certain he’s an attacker from her past. She doesn’t know why he has returned, but she’s sure of his presence: the hoarse sound of his breathing, his hard grip on her elbow. Perhaps it would appease the man if she were to put her camera down and give up her private passion. But she can’t; she refuses. Until one night when the man finally emerges from the shadows, and Judith’s story suddenly and irrevocably becomes his own.

My Review of The Man

Talented amateur photographer Judith Stanley is attending night class.

My goodness me! The Man is phenomenally good. I was totally ensnared throughout.

It’s going to be impossible to say anything about the plot without giving away something crucial, so let me just assure you that The Man is terrifying, believable and gripping. There were moments when I was in awe of Laura Sims’s manipulation of both characters and reader and I thought the book was sensationally good.

Given photography is central to the story, it comes as no surprise that the writing is cinematic, vivid and artistic. How the novel is written is equally as important as what is written. Laura Sims’s skill is terrific.

The American sixties setting is brilliant because it lends itself to a world dominated by men, to smoking and drinking, to real rather than phone cameras, and to physical letters and telephone calls, so that tension is enhanced because there are no easy fixes. There’s a menacing undercurrent throughout and it is no spoiler to say not every aspect of the narrative is clearly resolved. This means that the reader is totally immersed in the story. They have to make up their own mind, leaving the events reverberating long after the final page is turned. I found this such an effective and affecting technique.

I loved the theme of life through a lens in The Man because it leaves both Judith and the reader one step away from reality. Through photography and Judith’s literal and metaphorical reflective self portraits Laura Sims shows how we construct our own realities and our identities. This makes The Man as thought-provoking as it is mesmerisingly entertaining. Judith might be a stereotypical housewife, but she’s so much more besides and you need to read the book to discover her layers and depth.

As for the man of the title, again the book is not clear cut, enhancing the involvement of the reader. Despite the definite article, so many men in this story could be THE man. Paul, Judith’s tutor of course is central, and he is every bit as fascinating and disturbing as Judith, but events way back in the 1930s provide possibilities, as does Judith’s husband Tom. Indeed, there’s a universality to masculine dominance over women, from the party at the start of the story to the exhibition at the end, that really engages the reader’s mind. That’s not to say that The Man is an unremitting feminist novel, but rather that it captures the reader, draws them in and makes them question what they think they are reading.

Having said almost nothing about The Man because I really don’t want to spoil the story for others, let me say that I found it superb. The psychology behind the action, the theme of identity, the fantastic writing – all these elements make for a brilliant read. Don’t miss this one as it’s one of my favourite reads this year. 

About Laura Sims

Laura Sims’s previous novels How Can I Help You and Looker have been featured on Best Books lists in the New York Times Book Review, Vogue, People, Entertainment Weekly, Real Simple, Publishers Weekly and more. An award-winning poet, Sims has published four poetry collections; her essays and poems have appeared in the New Republic, Boston Review, LitHub and Electric Lit. She lives in New Jersey, where she works part-time as a children’s librarian.

For further information, visit Laura’s website and find her on Instagram.

My enormous thanks to Rebecca at Hobeck for sending me a copy of The Conservatory by Anthony Aberford in return for an honest review. It’s my pleasure to share my review of The Conservatory today. 

You can find out about Anthony in a post here when we chatted about his other writing persona A J Aberford.

The Conservatory was published by Hobeck on  21st April 2026 and is available for purchase here. 

The Conservatory

Some secrets are best left buried; others are better never planted!

In a restored Victorian conservatory, four grieving women from the local wellness centre discover that their friend’s mysterious death, amongst her toxic plants, was not a mysterious accident.

When eccentric homoeopath Aunt Lily arrives on her tricycle, she seems just the person to help uncover answers. But who is she really, and why is she there?

A 17th-century journal hidden in the conservatory holds dark secrets that could change everything. And an enigmatic stranger will stop at nothing to find it – making false promises and real threats.

Can the friends resist his temptations and unlock the book’s hidden secrets in time? Do they have the strength to make an impossible choice before it is too late?

My Review of The Conservatory

Aunt Lily has arrived on her tricycle!

The Conservatory took me completely by surprise and as a result I really enjoyed it. I had anticipated a rather cosy crime revolving around a slightly eccentric character in Aunt Lily. Indeed, The Conservatory has that element, but there’s an awful lot more to be discovered here too, making for a highly diverting and compelling read. 

The plot is entertaining as one might hope, but it’s also really interesting with the well-researched use of Tarot cards, herbalism and alternative therapies as well as historical detail so that it feels immersive. There’s a real sense of pace and some highly dramatic moments (I’m not telling you what they are – read the book!) that are well balanced by humour and more prosaic aspects, like Lizzie’s exam revision, so that even the most surprising aspects feel believable and convincing. The Conservatory is elegantly written.

Indeed, what I enjoyed most about The Conservatory was its variety. I hadn’t expected its magical realism, or quite so much creepy and menacing atmosphere. There’s murder, the supernatural and mystery to unravel here. As a result The Conservatory has intrigue for all readers. 

Anthony Aberford blends the echoes of the past with modern events highly effectively, not least because some of his themes like coercive marriages reverberate still. I loved the way friendship is explored as well as the danger of power and being careful what you wish for. I also thoroughly appreciated the age ranges of the characters because The Conservatory felt like it had real community.

I thought Bob’s Yorkshire accent was inspired as it provided light relief and added to the humour. But of course, it is Aunt Lily who steals the scenes. Initially expecting a kind of Mary Poppins, I wasn’t always entirely sure how trustworthy Aunt Lily was, especially as she’s not averse to using her powers to punish others, albeit more lightly than George Ermystead might. And George is a brilliant creation, exuding horror vibes and threat but an unnerving attraction too, and not just for other characters, but for this reader too… 

The Conservatory is an entertaining and pacy mystery mixed with fun and menace that has left me looking forward to seeing what Aunt Lily gets up to in future.  In the meantime, I’m getting myself a slice of cake but you need to read The Conservatory to discover why! 

About Anthony Aberford

AJ Aberford lives with his wife Janet, primarily in Malta, but for the last ten years, they’ve kept their old family home in West Yorkshire, fleeing the heat in Malta, for the rain in Bradford and vice versa! Following the death of their elderly parents, and the fact that their two sons are settled, AJ and his wife are now taking stock of the next part of their lives. AJ started writing initially as a hobby, but now it has taken an increasing importance in both their lives.

AJ does the writing, Janet does a lot of the initial reviews, edits and proofing, along with the invaluable work of AJ’s professional editor, Lynn Curtis. The books are ‘best sellers’ in the main book shops in Malta, but in the UK selling books is difficult, even when you have a publisher behind you. Janet’s also the engine room behind AJ Aberford socials and they are currently trying to understand the algorithms behind Facebook and Amazon Ads. There’s work to do there!

AJ is trying to make the transition from writing for his own pleasure – and hoping someone will like it – to understanding what people want and meeting that demand. His next books will be in a different genre and probably under a different name – but don’t worry, he’ll be letting people know about it in due course!

For further information follow Anthony on Twitter/X @AJAberford and find him on Instagram and Facebook.

It’s no secret to regular visitors to Linda’s Book Bag that I am a huge fan of M.W. Craven’s Washington Poe books. Consequently, when the latest book in the series, The Killer’s Mark, arrived in surprise book mail I was genuinely thrilled and there may have been* shouting in glee. I’m not quite sure who sent The Killer’s Mark, but thank you so very much! 

(*there was)

It’s my pleasure to share my review of The Killer’s Mark today and you’ll find my reviews of the other books in the series here. 

The Killer’s Mark is published by Constable on 13th August 2026 and is available for pre-order here. 

The Killer’s Mark

The next darkly-funny thrill-ride of a book in the bestselling Washington Poe series.

A MONSTER. A MOTHER. A MURDER?

When Vice Admiral Boyer, RN (retd) died without leaving a will, his estranged daughter inherited his- not inconsiderable – estate. Called home to sort through his belongings, she found an AegisBox – a tamper proof safe within a safe designed to self-destruct if anyone without the code attempts to open it. Faced with the choice of walking away or opening it, she opted for knowledge over silence and uncovered something so horrifying it launched the biggest investigation in the National Crime Agency’s history. Five years later, Washington Poe is unwittingly, and unwillingly, sucked into its gravity well…

Finally able to escape the authority they once railed against, Washington Poe and Tilly Bradshaw are enjoying their new jobs as private detectives or – as the sign on their door says – ‘Gumshoes for Hire’. When a teenage girl walks into their office, looking for the mother she has long believed to be dead, they agree to take the case. As Poe and Tilly investigate the girl’s claims, they find themselves drawn into a murky world of trafficking, pornography and prostitution. Will they be able to help the girl find her mother or will the dark forces at work, who will stop at nothing to protect themselves, get there first… 

My Review of The Killer’s Mark

Poe and Tilly have a new private investigator business.

I have a feeling The Killer’s Mark is going to be impossible to review because I absolutely do not want to give away spoilers. As soon as I had read the Prologue I knew this was going to be an extraordinary book. It is. It also confirms my suspicions that M. W. Craven is both terrifyingly skilled and possibly a little unhinged – in the best possible way – as no ordinary mind could construct this kind of plot. 

As ever with a Poe and Bradshaw book the pace is blistering, the short chapters refuse to let the reader step away from the narrative because, not only do they add momentum, they are so gripping with those trademark hooks at the end of each one that it’s impossible not to want to read on. The twists, the balance between keeping the reader informed and withholding just enough to have them completely ensnared in the narrative thrums through the pages. The trademark visceral nature of the story, the wit, humanity and technological science with which we are so familiar in a Washington Poe book are wonderfully resonant and yet feel fresh and vibrant within The Killer’s Mark. The main characters might be familiar but there is nothing repetitive or derivative in the storytelling. M. W. Craven is innovative and mesmerising with an assured sense of detail that is utterly convincing. 

Indeed, alongside a plot that is insanely intricate, brilliantly constructed and mind-blowingly entertaining, there is some fabulous character development here. If you’ve not read another of the Washington Poe books, there is enough of Poe’s past exploits referenced to give a rounded picture, but in The Killer’s Mark, he is given a slightly more tender trait so that his humanity is both presented more fully and tested to the limit. What I loved even more this time is that Tilly is becoming adept at her own deviousness too. The balance of familiarity and progression is so appealing. Add in the teenage, angst-ridden, foul mouthed Esmeree to the mix and the combination is both explosive and fascinating.

I’m aware I’ve said nothing at all about The Killer’s Mark – deliberately so as I really, really don’t want to spoil the read for others. However, one aspect I am willing to spoil is that the Epilogue, particularly the final sentence, made me cheer, but you’ll need to read the book to find out why!

Regardless of my inability to review it, I thought The Killer’s Mark was excellent. I absolutely adored being back with Poe and Tilly. I loved the attention to detail, the evident thorough research that has gone into making this another authentic and pulse elevating narrative, and the masterful storytelling which all add up to another roller-coaster ride. Don’t miss this one because it’s brilliant and if you haven’t read the other seven books in the series you are really missing out!

About M.W. Craven

Multi-award winning author M. W. Craven was born in Carlisle but grew up in Newcastle. He joined the army at sixteen, leaving ten years later to complete a degree in social work. Seventeen years after taking up a probation officer role in Cumbria, at the rank of assistant chief officer, he became a full-time author. The Puppet Show, the first book in the critically acclaimed, best-selling Washington Poe and Tilly Bradshaw series, was published by Little, Brown and went on to win the Crime Writers’ Association Gold Dagger in 2019. Black Summer, the second in the series, was longlisted for the Gold Dagger as was book three, The Curator. Dead Ground won the CWA Steel Dagger in 2022 and book five, The Botanist, won the Theakston Old Peculier Crime Novel of the Year in 2023. Dead Ground and 2022’s The Botanist were both Sunday Times bestsellers. The series has now been translated into twenty-seven languages. Fearless, the first thriller in the new US-set, Ben Koenig series, was published in June 2023 by Flatiron Books in the US and by Little, Brown in the UK. Fearless will soon be a major TV series.

M.W. Craven lives in Carlisle with his wife, Joanne. When he isn’t talking nonsense in the pub, he can usually be found at punk gigs and writing festivals up and down the country.

For further information, visit Mike’s website or find Mike on Instagram, Bluesky, X @mwcravenuk and Facebook.

My huge thanks to Kate at Canelo for sending me a surprise copy of The Residency by C D Major. Having loved C D Majors books under her other pen names (see my reviews here) I was thrilled to receive it and it is my pleasure to share my review of The Residency today.

The Residency will be published by Canelo on 13th August 2026 and is available for purchase through the publisher links here. 

The Residency

Life in London is hard for Ginny as a single mother barely scraping by. Once she was a promising artist with a glittering future ahead. On a whim, she applies for an artist’s residency – all expenses paid – and is astonished to be accepted.

Soon, Ginny is on a boat to a remote Scottish island, her daughter by her side. But was she too hasty, attracted by the promise of security and a chance to make art again? Locals she meets are tightlipped about the man who is Ginny’s benefactor, but she senses underlying fear. Her contract contains odd rules about avoiding the gallery at the vast property where she is living, and there is an undeniable eeriness to the place. If she didn’t know better, she’d swear she could hear whispers, and that the people in the paintings were changing overnight…

By the time Ginny realises what a grave mistake she has made, she is stranded. Accepting the invitation has sealed her fate and the only way to survive is through escape – or sacrifice.

An atmospheric gothic suspense novel to send a chill down your spine and keep you reading late into the night. 

My Review of The Residency

With a slightly disabled daughter, and a violent partner about to be released from prison, Ginny is determined to escape her London poverty.

Crikey. What a fabulous read. I loved The Residency even as I found it creepy and unsettling. It would be difficult to discover a more perfect exploration of being careful what you wish for and of the concept that if something sounds too good to be true, it probably is!

The plot of The Residency would make a fantastic film or television series. There are chilling moments aplenty, but the real skill comes through the gradual build up of tension, the weird behavior of the inhabitants of the remote Scottish island and the way in which Ginny realises that an evil is lurking that is far more powerful than the fears sparked by creaking floorboards and strange aromas. I thought it inspired to have the dated events from Philip’s past because they mean the reader has an understanding of him that Ginny doesn’t realise, adding to the sense of danger and the pressure of feeling. The reader becomes as controlled by Philip and as unable to assist Ginny as the other residents on the island. Her first person account adds to this sense of danger.

The island setting of The Residency is brilliant because it lends a claustrophobic, locked-room feeling. As the residents become less friendly, and Ginny becomes more isolated, there’s a real sense of doom that is enhanced by the technique of condensed sentences at the ends of chapters that compel the reader on through the narrative. The house where Ginny and daughter Isla are accommodated is right out of the tradition of gothic horror with dark oppressive corridors, strange smells and noises, an attic and a literal locked room so that C D Major manipulates the reader into feeling unsettled even when seemingly innocent events are taking place. 

Ginny might be a talented artist, but she is also a modern woman. Her fierce protection of Isla illustrates a mother’s love and the complications of her life in London as a single parent with an abusive criminal for a partner are very modern concepts. Transporting her to an all expenses paid artistic residency on a remote island is, therefore, attractive to her and all the more powerful because the reader realises this will not end well – especially with the underlying supernatural evil aspect rippling through the art work, the island and the house, but I’m not going to say more and spoil the read. Not all Ginny’s actions are rational, altruistic and benevolent, but these aspects make her all the more appealing.

Themes in The Residency are fascinating, engaging and explored with aplomb. Family rivalry, parental love (or lack of), control and fear on many levels pulsate through the story. I found them so convincing. 

I thought The Residency was a corker of a read. I found it creepy, engaging and unnerving. If you want a fantastic gothic thriller to keep you up at night, read The Residency as I thoroughly recommend it. Oh – and remember, when given an attractive offer, always read the small print!

About C D Major

C.D. Major writes suspenseful books inspired by strange true stories. Alongside her thrillers she writes big love stories as Cesca Major, rom coms under the pseudonym Rosie Blake and emotional women’s fiction as Ruby Hummingbird. 

For further information visit Cesca’s website and follow her on X @CescaMajor, Facebook, Bluesky and Instagram. 

I owe huge thanks to Emily Midorikawa for ensuring I received a copy of her debut novel A Tiny Speck of Black and then Nothing. I was unable to share my review earlier as I was away, but it’s my pleasure to have my review today. 

You’ll also find Emily appearing here on Linda’s Book Bag on several occasions. 

Published by Bonnier imprint Manilla on 23rd July 2026, A Tiny Speck of Black and then Nothing is available for purchase through the links here.

A Tiny Speck of Black and then Nothing

Anna has never met anybody like Loll: a British hostess at the Moonglow bar in the Japanese city of Osaka. With her blonde wigs and shimmering dresses, Loll cuts a mesmerising figure. But Anna is troubled by the secrets Loll hides; the identity of her best client with shadowy links to the city’s crime underworld; and the sight Anna witnesses one afternoon: Loll teetering on the edge of a railway track, caught in the deafening rush as a train hurtles by.

Whereas Anna has come to Osaka to learn more about her half-Japanese heritage, Loll has no clear reason for being there and no easily discernible past. And so when she disappears, there are only the barest clues as to where she might have gone. Soon Anna is thrown onto a trail that will take her into the darkest corners of the neon-choked metropolis – hidden, forbidden places from which those who know the city best warn her to stay away.

My Review of A Tiny Speck of Black and then Nothing

Anna has arrived in Osaka, Japan, to take up an English teaching post.

What a fabulous novel. Intelligently written, intense and intimate, A Tiny Speck of Black and then Nothing is such an absorbing read. 

Essentially, the plot revolves around the developing friendship between Anna and Loll, or Charlotte, or Charlie depending on the person with whom Loll is interacting and the persona she is portraying. That may sound simplistic, but this novel is multi-layered and fascinating so that it mesmerises the reader.

Firstly, there is the most exquisite glimpse into all facets of Japanese life, from etiquette, through levels of society and daily behaviours to organised crime and corruption. Emily Midorikawa puts flesh on the bones of our half-known Japanese facts, correcting assumptions, and providing real insight as she weaves her spell binding tale. The sense of place in Osaka is vivid, realistic and authentic so that it is as if the reader is accompanying Anna as she moves round the city. Work, nightlife, food and so on all add texture and interest. I adored this aspect of the story.

One of the elements that is so effective in this beautifully written narrative is the layering of Anna’s first person story with traditional fable and factual extracts so that there’s an almost dreamlike film noir atmosphere. This makes A Tiny Speck of Black and then Nothing fascinating. It feels part memoir, part thriller, part coming of age and part cinema in its execution. I found myself almost hypnotised by the writing and think there is something for every reader to appreciate here.

Anna herself is as much a hybrid as the structure. Working in Japan where her absconded mother has lived since fleeing England and abandoning Anna and her father when Anna was nine, it’s as if Anna has greater unacknowledged Japanese culture in her DNA than she realises, and yet she remains other, an outsider. She doesn’t fit in well with the other young people and is rather a spare part in the school where she works. As a result, her friendship with Loll feels all the more absorbing and obsessive so that when Loll disappears, it is as if Anna has lost part of herself as well as her friend. 

Loll is wonderful; in turn glittering, brittle, fragile, mysterious and unreliable. In the same way the crane woman of Japanese fable creates the highest quality fabric for her husband, so Loll’s presence adds glamour and sparkle whenever she enters a room. Rather like a shooting star, she fascinates but feels fleeting and transient. She’s such a complex character that I found it hard to decide if I loved or loathed her. I could not decide if I actually trusted and applauded her reasons even when she behaved most duplicitously. I found this such an absorbing part of the book. 

The themes of A Tiny Speck of Black and then Nothing are so engaging. There’s a sensitive exploration of identity – not least because we never really know which Loll we might be witnessing – of cultural heritage and belonging, of family dynamics, mental health and of fierce loyalty in friendship. I think A Tiny Speck of Black and then Nothing is a novel that rewards multiple readings in order to appreciate fully Emily Midorikawa’s dexterity in creating her narrative. 

I loved A Tiny Speck of Black and then Nothing. It’s a sophisticated presentation of friendship, and the way we never truly understand ourselves, let alone others. It explores belonging, family and identity utterly compellingly, illustrating how, sometimes, letting go is the one action that can save us. I finished the narrative feeling I had been treated to a text of true quality and craft and I thoroughly, thoroughly, recommend A Tiny Speck of Black and then Nothing. 

About Emily Midorikawa

Emily Midorikawa’s debut novel, A Tiny Speck of Black and then Nothing, is published by Manilla Press. She is also the author of two group biographies, Out of the Shadows: Six Visionary Victorian Women In Search of a Public Voice (Counterpoint Press) and A Secret Sisterhood: The Literary Friendships of Jane Austen, Charlotte Bronte, George Eliot, and Virginia Woolf, cowritten with Emma Claire Sweeney (Aurum Press, UK; Houghton Mifflin Harcourt, USA).

Emily is a winner of the Lucy Cavendish Fiction Prize. Her journalism has been published in the Daily Telegraph, TIME, The Times (of London) and the Washington Post.

You can find out more about Emily on her website. She’s also on X @EmilyMidorikawa, Bluesky and Instagram.

My absolute gratitude to the lovely Freya North for sending me a surprise copy of Summer at Flora’s House. Not only was I completely thrilled to receive it, but finding myself quoted on the back cover felt such a privilege. It’s my pleasure to share my review of Summer at Flora’s House today.

If you’d like to see why I’m so delighted to review Summer at Flora’s House, if you head here, you’ll find my reviews of other books by Freya North. 

Summer at Flora’s House was published on 1st July 2026 and is available for purchase here. 

Summer at Flora’s House

Two lost souls… and the wild, beautiful island between them

Fiercely independent, Liza never takes time off work but she planned this holiday months ago. She’s here for a reason, determined to shed one skin and try on another. Somewhere on this wild and beautiful island at the edge of the Atlantic, she’s hoping that answers can be found.

These days, Jamie divides his life between Sheffield and his beloved Harris, a place of solace and calm since childhood. Passionate about preserving the secrets of the land, he’s just as protective of its people. He’s happily stuck in his ways because that’s the safest place to be.

Summer in Harris stretches ahead: a time of endless sunshine and relentless rain, wind-whipped seas and sugar-fine beaches, clouds of midgies and the famous machair bursting with wildflowers. Liza and Jamie meet and wish they hadn’t. But the island has its own plans for both of them.

My Review of Summer at Flora’s House

Liza needs a break from her high-powered life.

From the very first paragraph of Summer at Flora’s House I genuinely felt a total sense of physical belonging. Reading it felt every bit as if I had come home as returning to Harris feels to Jamie. I could not have enjoyed this novella more. 

Freya North’s writing is exquisite. Her ability to weave in the history, geography, geology and flora of the island in a totally natural way is astonishing. As Liza explores and gets to know Harris, the reader is alongside her because of the descriptions that are equally elegant and brutal depending on the personality the island is showing. Harris is every bit a living, breathing character in Summer at Flora’s House as are Liza and Jamie. 

And my goodness did I love Liza and Jamie. Their first person viewpoints add intimacy and interest because it is as if they are sharing their innermost thoughts directly with the reader. Some minor characters from Christmas at Flora’s House and Spring at Flora’s House, like Shona, are familiar and comforting to encounter once again, but the fact that Jamie has a history with the island is just wonderful. He is like an anchor that grounds the narrative and makes it all the more believable. And just like an anchor, he can be moved and taken to new horizons. 

As Liza and Jamie’s relationship develops it is mesmerising. I thought the way Freya North didn’t just give them a ‘will they, won’t they’ romance, but rather added a mature and realistic interaction, provided such a relatable and satisfying aspect to the story. In a sense, there’s no great drama here, but rather deep, deep human connection, hope and self-awareness. Summer at Flora’s House is written with such deft empathy that it’s impossible not to keep thinking about Liza and Jamie long after the final page is turned.

I also loved the concept of creativity; the art, the photography and the sense that perfection comes, in fact, from imperfection. Equally affecting is the concept of contentment and being true to oneself. It’s so hard to convey the intensity and emotion of the quiet moments in the story without spoilers, but Freya North is like a musician in her writing. It’s often the pause, the stillness, that is the most profound moment. 

In case it isn’t obvious, I adored Summer at Flora’s House. It’s a beautifully written, absorbing and enchanting story of connection that feels, quite simply, perfect. One of my books of the year for sure!

About Freya North

Freya North’s novels explore the emotions and complexities of everyday relationships and families. First published in 1996 with her ground-breaking debut Sally, Freya has written 15 further bestsellers including the highly acclaimed Little Wing and The Unfinished Business of Eadie Browne. Translated into many languages, Freya won the Romantic Novel of the Year award for Pillow Talk and has been short-listed for others. A sense of place is central to Freya’s writing. Never a backdrop, always a leading character, locations featured in her novels include New England, France, British Columbia, North Yorkshire, Derbyshire, Norfolk, Freya’s own county of Hertfordshire and of course the Outer Hebrides.

Freya holds degrees in History of Art from the University of Manchester and the Courtauld Institute, London. She lives on a small farm in Hertfordshire with her dogs, horses and sheep. She enjoys ceramic classes and road cycling and loves to connect with her readers.

For further information, visit Freya’s website, follow her on X @freya_north or find Freya on Instagram and Facebook.

I am beyond grateful to Lily Birch at Faber for sending me a surprise copy of The Infinite Sadness of Small Appliances by Glenn Dixon. I’m delighted to share my review today.

The Infinite Sadness of Small Appliances is published by Faber on 30th July 2026 and is available for pre-order here.

The Infinite Sadness of Small Appliances

‘And that’s why I want to be called Scout’

‘It’s most unusual, said Clock.

‘She’s the one who listens and learns,’ Scout said. ‘She’s like me.’ She paused and set her voice to pensive. ‘You already have names. I’d like one too.’

In a self-running smart house, a young sentient hoover listens as her owner, Harold, reads aloud to his dying wife, Edie. Mesmerized by To Kill a Mockingbird and craving human connection, the little vacuum renames herself Scout and embarks on a journey of self-discovery.

But when Edie passes away, Scout and her fellow appliances discover that the omnipresent Grid, which monitors every household in the City, wants to displace Harold from the home he’s lived in for fifty years. With the help of a neighbourhood boy, and Harold and Edie’s daughter, the humans and the appliances must come together to outwit the Grid before they lose everything they hold dear. . . 

My Review of The Infinite Sadness of Small Appliances

Harold’s reading of To Kill a Mockingbird to his dying wife Edie makes sentient vacuum Riv984 desperate to be called Scout.

What an incredible book. Slightly futuristic and reminding me rather of E.M. Forster’s The Machine Stops, The Infinite Sadness of Small Appliances is absolutely perfect for today’s society, because elements of its world like self driving cars are already becoming more common in our lives so that it’s no great stretch to imagine all homes containing thermostats that alter according to conditions, or fridges that order food according to use. Watch in particular is familiar as he monitors Harold’s heartbeat, blood pressure and so on. This has the effect of making events believable and all the more terrifying as a result.

The plot is simple. The Grid, which has autonomy over every aspect of life, will not allow widowed Harold to continue to live in his large home of fifty years. It will send machines to downsize Harold’s possessions and move him into communal living so that his home can be divided up or knocked down to accommodate multiple occupancy buildings. His sentient household appliances are not sure what to do. But this simplicity, and the beautiful pared back language with which it is presented, belies the profound meaning and emotion in The Infinite Sadness of Small Appliances. I had no idea I might be reduced to tears by a vacuum cleaner.

What Glenn Dixon does in this wonderful story is to examine grief, hope, autonomy, friendship, family and identity so that it’s impossible not to be entranced by his writing. He contrasts the rational decisions of the Grid and its household monitor Watch with the sheer emotion of music and literature, showing the real value in life.

Harold’s relationship with his daughter Kate is heartbreaking, and the more the reason for her absence is uncovered, the more affecting it is. So too is Adrian’s sheer determination as he tries to learn piano pieces. The child of an immigrant with little money, he humanises the foreign and unfamiliar, showing there is the potential for beauty and growth in us all. There’s an intense intimacy through these three human characters that is echoed by the appliances. Scout the vacuum in particular is just wonderful. Her questioning rather than acceptance of the status quo, her intelligence and her willingness to put others before herself make her every bit as dramatic, engaging and compelling as the humans.

It’s hard to review The Infinite Sadness of Small Appliances without revealing so much that others need to discover for themselves. This is a story of truth and love, of books and music, and of the sheer spirit of humanity and indeed all sentient beings like Scout. It’s a narrative that will make you think. It’s one that will terrify a reader as it looks to the future in ways that might not be what we want, but it’s also a book of huge love and connection that moves, educates and returns us to the kind of humanity we might have felt lost forever. It’s not just Scout who is on a journey of self-discovery, but the reader and all the other characters (human and appliance) are too. I thought it was absolutely brilliant. Oh, and it’ll have you reaching for the books you’ve always loved and holding them more dearly than ever!

About Glenn Dixon

Glenn Dixon is an author, documentary film maker and musician.

His new book, The Infinite Sadness of Small Appliances is out now in nine countries, from the U.K. and the U.S. to Canada as well as Australia, New Zealand, Germany, Greece and China. It features Scout, a Roomba vacuum cleaner who, with the other sentient appliances in a house in the near future, must band together to save their humans from being evicted. His third book Juliet’s Answer was a National Best seller and has been published in twelve countries and translated into German, Spanish and Chinese. His fourth book Bootleg Stardust about a rock band in the 1970’s featured a soundtrack.

He has travelled through 75 countries and written for the New Yorker, National Geographic, the Walrus, the New York Post and the Globe and Mail. He is currently at work on a new novel.

For further information, visit Glenn’s website, or find Glenn on Facebook and Instagram. 

My enormous thanks to Rebecca at Saraband for sending me a surprise copy of Miss Blaine’s Prefect and the Parcel of Rogues by Olga Wojtas. It’s my pleasure to share my review today. 

Miss Blaine’s Prefect and the Parcel of Rogues will be published by Saraband on 30th July 2026 and is available for purchase through the publisher links here.

Miss Blaine’s Prefect and the Parcel of Rogues

Morningside librarian Shona McMonagle is a proud former pupil of the Marcia Blaine School for Girls, and deeply resents a well-known novel she believes has unfairly tarnished its reputation.

In 1788 Edinburgh, the city is celebrating Robert Burns on his second visit to the capital. Burns would much rather be back in Ayrshire with his beloved Jean, but his publisher has him touring society – and his supposed muse, Nancy McLehose, is encouraging him to adopt a more marketable persona.

Shona finds herself caught up helping a teenager, Burns’s ardent admirer Walter Scott, while becoming part of a circle of clever, ambitious women. But when she is framed for the capital crime of housebreaking and condemned to the Tolbooth, she must rely on her ingenuity – and her allies – to clear her name. As events spiral, how will she resolve this muddle without bringing Enlightenment society crashing down?

My Review of Miss Blaine’s Prefect and the Parcel of Rogues

Miss Blaine’s Prefect and the Parcel of Rogues is an absolute delight. The only issue is that, as this is the latest stand alone in a series, I am now compelled to go back and read all the others. I thought it was fabulous. 

The story in Miss Blaine’s Prefect and the Parcel of Rogues is brilliant because it has a fast pace, real characters from history and an underpinning wit that is acerbic, intelligent and truly funny. The juxtaposition of modern life and the developing arena of Edinburgh in the 1700s works perfectly with Shona as the lynchpin so that this is bookish diversion of the highest order.

The setting is so well depicted, from the male dominated coffee houses to the dramatic fervour surrounding Robert Burns, so that the reader is truly transported back in time. As well as the narrative being highly entertaining, spotting the real people from history like Burns, Walter Scott and David Hume adds to the diverting story. The exemplary level of research that has gone into an era that means the narrative is effortless and convincing to read. It’s just brilliantly entertaining.

Miss Blaine’s Prefect and the Parcel of Rogues might be part of a series, but it works flawlessly as a standalone story. An insight into Miss Blaine herself is given and Shona McMonagle is, quite simply, superb. Her narrative voice rings from the pages so that she feels like an old friend and someone that anyone would want in their side. There’s a fabulous sense of her confiding in the reader which draws them still further into this compelling story.

I thought the sense of prejudice was deftly and humorously handled. The noble folk of early Edinburgh looking with pity on those from Morningside and Shona herself not averse to casting aspersions on those from Glasgow, conveying a societal approach that is only enhanced by Walter Scott’s mother’s feeling for how history repeats itself. Feminism too is portrayed brilliantly. The moments between Shona and male characters and the suggestion that women are the ones feeding the male luminaries of the Enlightenment is only enhanced when the more prosaic relationship between Walter Scott’s parents is challenged. I’m being a bit oblique here as I don’t want to spoil the read, but I loved this aspect of the story. Who knew too that a teaspoon might be so revolutionary!

I thought Miss Blaine’s Prefect and the Parcel of Rogues was terrific. Every time I think back to reading it I find a smile on my face and an uplifting sense of well-being. It’s a book not to be missed. Oh, and watch out because Miss Blaine’s Prefect and the Parcel of Rogues might just surprise you with the power of poetry too!

About Olga Wojtas

Olga Wojtas is an unconventional – and witty – writer of cosy crime fiction whose surrealist humour has been compared to the likes of P.G. Wodehouse, Jasper Fforde, Blackadder and the Marx Brothers. She was born and brought up in Edinburgh, where she attended James Gillespie’s High School – the model for the Marcia Blaine School for Girls (in Muriel Spark’s The Prime of Miss Jean Brodie). Olga won a Scottish Book Trust New Writers Award in 2014, and has amassed an impressive following for the Miss Blaine’s Prefect series, as well as several award nominations. A journalist for more than 30 years, Olga was Scottish editor of the Times Higher Education Supplement before she began adding creative writing to her portfolio.

For further information, visit her website or follow Olga on Instagram, Facebook and X @OlgaWojtas.