I owe huge thanks to Emily Midorikawa for ensuring I received a copy of her debut novel A Tiny Speck of Black and then Nothing. I was unable to share my review earlier as I was away, but it’s my pleasure to have my review today. 

You’ll also find Emily appearing here on Linda’s Book Bag on several occasions. 

Published by Bonnier imprint Manilla on 23rd July 2026, A Tiny Speck of Black and then Nothing is available for purchase through the links here.

A Tiny Speck of Black and then Nothing

Anna has never met anybody like Loll: a British hostess at the Moonglow bar in the Japanese city of Osaka. With her blonde wigs and shimmering dresses, Loll cuts a mesmerising figure. But Anna is troubled by the secrets Loll hides; the identity of her best client with shadowy links to the city’s crime underworld; and the sight Anna witnesses one afternoon: Loll teetering on the edge of a railway track, caught in the deafening rush as a train hurtles by.

Whereas Anna has come to Osaka to learn more about her half-Japanese heritage, Loll has no clear reason for being there and no easily discernible past. And so when she disappears, there are only the barest clues as to where she might have gone. Soon Anna is thrown onto a trail that will take her into the darkest corners of the neon-choked metropolis – hidden, forbidden places from which those who know the city best warn her to stay away.

My Review of A Tiny Speck of Black and then Nothing

Anna has arrived in Osaka, Japan, to take up an English teaching post.

What a fabulous novel. Intelligently written, intense and intimate, A Tiny Speck of Black and then Nothing is such an absorbing read. 

Essentially, the plot revolves around the developing friendship between Anna and Loll, or Charlotte, or Charlie depending on the person with whom Loll is interacting and the persona she is portraying. That may sound simplistic, but this novel is multi-layered and fascinating so that it mesmerises the reader.

Firstly, there is the most exquisite glimpse into all facets of Japanese life, from etiquette, through levels of society and daily behaviours to organised crime and corruption. Emily Midorikawa puts flesh on the bones of our half-known Japanese facts, correcting assumptions, and providing real insight as she weaves her spell binding tale. The sense of place in Osaka is vivid, realistic and authentic so that it is as if the reader is accompanying Anna as she moves round the city. Work, nightlife, food and so on all add texture and interest. I adored this aspect of the story.

One of the elements that is so effective in this beautifully written narrative is the layering of Anna’s first person story with traditional fable and factual extracts so that there’s an almost dreamlike film noir atmosphere. This makes A Tiny Speck of Black and then Nothing fascinating. It feels part memoir, part thriller, part coming of age and part cinema in its execution. I found myself almost hypnotised by the writing and think there is something for every reader to appreciate here.

Anna herself is as much a hybrid as the structure. Working in Japan where her absconded mother has lived since fleeing England and abandoning Anna and her father when Anna was nine, it’s as if Anna has greater unacknowledged Japanese culture in her DNA than she realises, and yet she remains other, an outsider. She doesn’t fit in well with the other young people and is rather a spare part in the school where she works. As a result, her friendship with Loll feels all the more absorbing and obsessive so that when Loll disappears, it is as if Anna has lost part of herself as well as her friend. 

Loll is wonderful; in turn glittering, brittle, fragile, mysterious and unreliable. In the same way the crane woman of Japanese fable creates the highest quality fabric for her husband, so Loll’s presence adds glamour and sparkle whenever she enters a room. Rather like a shooting star, she fascinates but feels fleeting and transient. She’s such a complex character that I found it hard to decide if I loved or loathed her. I could not decide if I actually trusted and applauded her reasons even when she behaved most duplicitously. I found this such an absorbing part of the book. 

The themes of A Tiny Speck of Black and then Nothing are so engaging. There’s a sensitive exploration of identity – not least because we never really know which Loll we might be witnessing – of cultural heritage and belonging, of family dynamics, mental health and of fierce loyalty in friendship. I think A Tiny Speck of Black and then Nothing is a novel that rewards multiple readings in order to appreciate fully Emily Midorikawa’s dexterity in creating her narrative. 

I loved A Tiny Speck of Black and then Nothing. It’s a sophisticated presentation of friendship, and the way we never truly understand ourselves, let alone others. It explores belonging, family and identity utterly compellingly, illustrating how, sometimes, letting go is the one action that can save us. I finished the narrative feeling I had been treated to a text of true quality and craft and I thoroughly, thoroughly, recommend A Tiny Speck of Black and then Nothing. 

About Emily Midorikawa

Emily Midorikawa’s debut novel, A Tiny Speck of Black and then Nothing, is published by Manilla Press. She is also the author of two group biographies, Out of the Shadows: Six Visionary Victorian Women In Search of a Public Voice (Counterpoint Press) and A Secret Sisterhood: The Literary Friendships of Jane Austen, Charlotte Bronte, George Eliot, and Virginia Woolf, cowritten with Emma Claire Sweeney (Aurum Press, UK; Houghton Mifflin Harcourt, USA).

Emily is a winner of the Lucy Cavendish Fiction Prize. Her journalism has been published in the Daily Telegraph, TIME, The Times (of London) and the Washington Post.

You can find out more about Emily on her website. She’s also on X @EmilyMidorikawa, Bluesky and Instagram.