I’m very fond of historical fiction and would like to thank Nikki Griffiths for inviting me to participate in the blog tour for Robert J. Lloyd’s The Bloodless Boy and for sending me a copy of the book in return for an honest review. It’s a privilege to share that review today.

Published by Melville House on 4th November 2021, The Bloodless Boy is available for purchase online and in all good bookshops including here.

The City of London, 1678. New Year’s Day. The body of a young boy, drained of his blood and with a sequence of numbers inscribed on his skin, is discovered on the snowy bank of the Fleet River.

With London gripped by hysteria, where rumours of Catholic plots and sinister foreign assassins abound, Sir Edmund Bury Godfrey, the powerful Justice of Peace for Westminster, is certain of Catholic guilt in the crime. He enlists Robert Hooke, the Curator of Experiments of the Royal Society, and his assistant, Harry Hunt, to help his enquiry.

Sir Edmund confides to Hooke that the bloodless boy is not the first to have been discovered. He also presents Hooke with a cipher that was left on the body.

That same morning Henry Oldenburg, the Secretary of the Royal Society, blows his brains out. A disgraced Earl is released from the Tower of London, bent on revenge against the King, Charles II.

Wary of the political hornet’s nest they are walking into – and using evidence rather than paranoia in their pursuit of truth – Hooke and Hunt must discover why the boy was murdered, and why his blood was taken. Moreover, what does the cipher mean?

My Review of The Bloodless Boy

A young boy’s body is found.

What a tour de force The Bloodless Boy is. I read it with a mixture of fascination and complete admiration for Robert J. Lloyd’s superb writing, it being both eloquent and entertaining. The narrative style fits the historical era perfectly but is still completely accessible to the modern reader.

The 1678 setting is magnificent. Descriptions place the reader so firmly at the heart of the action that it really is as if you’re there with Harry and Robert. Every sense is catered for and the level of authenticity this adds to The Bloodless Boy makes it a wonderfully immersive read. Not only is this historical writing of the best kind, but in The Bloodless Boy there is mystery, politics, religion, science and intrigue all rolled into one totally absorbing narrative. The assiduous level of research, added to the cast of real and imagined characters makes The Bloodless Boy an authentic read too. I found it mesmerising.

The plot races along. Short chapters make for a snappy pace as it’s hard not to read just one more because the story is so engaging. I loved the chapter headings that draw in the reader too. The events that are familiar to the reader, engaging them with the story, are overlaid with invented occurrences so that The Bloodless Boy really is the perfect blend of fact and fiction. That said, anyone not especially interested in history, but who loves a brilliant mystery would thoroughly enjoy this narrative. A reader doesn’t need to love historical fiction to be royally (pun not intended) entertained here.

I appreciated the inclusion of a character list at the beginning as there are several people to keep abreast of in the story. I loved the way real people are scattered through the pages because it made The Bloodless Boy feel all the more powerful a read, knowing that some of these people really existed. I’d never before heard of Robert Hooke but had studied John Locke at university so that I accepted without question Robert J. Lloyd’s convincing presentation of character. In amongst the schemers, the villains, the wealthy, the criminals, the insane and the ordinary people who leap from the pages here, it was Harry Hunt who engaged me most. His integrity and vulnerability balanced against his strength and ability to dissemble if needed made him a true hero.

Themes in The Bloodless Boy leave the reader reeling. Certainly aspects steeped in historical fact have the benefit of hindsight, but there’s so much to consider and ponder so that I keep thinking about the book now I’ve finished reading it.

The Bloodless Boy is multi-layered, beautifully written and deeply textured so that it is a magnificently entertaining and rewarding read. I thought it was excellent.

About Robert J. Lloyd

Robert J. Lloyd grew up in South London, Innsbruck, and Kinshasa (his parents worked in the British Foreign Service), and then in Sheffield, where he studied for a Fine Art degree, starting as a landscape painter but moving to film, performance, and installation. His MA thesis on Robert Hooke and the ‘New Philosophy’, inspired the ideas and characters in The Bloodless Boy. He lives in Crickhowell in the Brecon Beacons. This is his first book.

You can follow Robert on Twitter @robjlloyd.

There’s more with these other bloggers too:

My enormous thanks to Rachel Quin at Farshore for sending me a delightful Christmassy package containing the children’s book The Christmas Carrolls by Mel Taylor-Bessent and illustrated by Selom Sunu. I’m delighted to share a review of The Christmas Carrolls today. You’ll also find more Christmassy reads as well as this one featured on Twinkl as part of their Christmas campaign.

Published by Harper Collins imprint Farshore on 14th October 2021, The Christmas Carrolls is available for purchase through these links.

The Christmas Carrolls

‘A Christmas book about kindness and cheer to make even Scrooge’s heart melt’ Dame Jacqueline Wilson

Funny festive middle grade about the world’s most Christmassy family from the founder of Authorfy, perfect for 8+ readers and fans of Matt Haig, Ben Miller, Sibeal Pounder’s Tinsel, and the Nativity! films

Wish it could be Christmas every day? Well, for nine-year-old Holly Carroll and her family, it is! Living her merriest life in a house with year-round fairy lights and Christmas trees, a carol-singing toilet and a diva donkey who thinks he’s a reindeer, home-schooled Holly tries to spread cheer wherever she goes.

But when she goes to a new school with a singing Santa backpack and first day Christmas cards (during a heatwave in September!), she realises not everyone shares her enthusiasm for spreading cheer. In fact, when the neighbours try to remove the Carrolls from the street and Holly discovers a group of children that may not get a Christmas at all, her snowglobe world begins to crack. Is the world’s most Christmassy girl about to lose her Christmas spirit?

The Christmas Carrolls is a heartwarming, hilarious and inclusive tale about the power of spreading cheer, the magic of friendship and what really matters at this most wonderful time of the year.

My Review of The Christmas Carrolls

Holly’s starting a new school.

The Christmas Carrolls is a smashing book for children. It’s pitched perfectly for middle grade readers so that it would make both a charming class reader and a lovely story to share in the home. As well as being a very entertaining, funny and moving story, The Christmas Carrolls is brilliantly illustrated by Selom Sunu so that less competent or more reluctant young readers have an extra dimension to engage them. I loved the way the acknowledgements are written by Holly rather than the author and thought the inclusion of a dictionary of Holly’s malapropisms and invented words was inspired. Children can have so much fun with these, making up their own vocabulary too. Certainly reading The Christmas Carrolls would alleviate any ‘worhusion’ a child might be suffering!

The plot is super as the Carrolls move into a new home and Holly starts a new school only to find not everyone is as enthusiastic about Christmas as they are. Whilst all is comfort and joy in Holly’s home she quickly finds herself something of an oddity and outsider at school and it is the themes of The Christmas Carrolls that make it such a perfect book for this age group. Fitting in at school, wanting to be liked, making friends, being individual, family life, and the real meaning and finding of happiness are all the issues children can explore through reading this book. I just loved the fact that Holly’s family is mixed race, made clear through the illustrations, because it gives status and acceptance to children living in such families. Add in Archer’s foster home experience and this really is an inclusive book.

The characters are so well drawn, but it is Holly who steals the show. She’s feisty, cheerful and a true individual. It’s wonderful how her unique personality becomes celebrated as she and other children learn that difference doesn’t equate to being wrong. That said, Archer has a special place in my heart as a reader. I found him sensitively portrayed and a wonderful example of not taking others for granted.

I thought The Christmas Carrolls was a brilliant children’s book. Sparkling with Christmas joy and fun, but with a strongly positive message of community and belonging, The Christmas Carrolls is destined to be an annual favourite, becoming every bit as much a tradition of Christmas as those employed by the Carroll family.

About Mel Taylor-Bessent

Mel has been writing stories for as long as she can remember. In fact, one of her favourite childhood memories was when she found her Great Grandmother’s typewriter hidden under the stairs and she spent her whole summer holiday working on her latest ‘masterpiece’. It came as no surprise that Mel followed her passion for writing into university, and after graduating with a Creative Writing degree, she set up her own company at the age of 22 and ran creative writing after school clubs for children aged 7+.

‘Little Star Writing’ grew so quickly that Mel developed a training scheme for 150+ tutors, wrote weekly lesson plans and even ran workshops across Europe, organised two literary festivals and arranged more than 200 author events.

And Mel’s love for writing and children’s books didn’t stop there . . . A few years later, she developed an online platform that brought children all over the world closer to their favourite authors. She called it ‘Authorfy’ and it quickly became one of the leading literacy websites with videos and resources from authors such as Michael Morpurgo, Michael Rosen, Cressida Cowell and Anthony Horowitz. After winning a few awards, partnering with all major children’s publishers and running campaigns with the likes of World Book Day and BookTrust, Mel returned to her own writing in 2020 and The Christmas Carrolls, the first in a three-book series, was published in October 2021.

For further information, visit Mel’s website, follow her on Twitter @MelTBessent and Instagram. You’ll also find Mel on Facebook.

About Selom Sunu

Selom Sunu studied MA Character Animation at Central Saint Martins in 2016 and since then has balanced a day job with freelance Illustration and Character Design.

Selom is rarely without a pencil in hand and characters are at the heart of everything he creates.

He is a devoted Christian and lives in London with his wife and daughter. Selom’s other interests are singing, playing football, creative writing (poetry), acting and board games.

You can follow Selom on Twitter @MrSunu and visit his website for more information. You’ll also find Selom on Instagram.

As you know, I’m trying to cut back on blog tours but I simply couldn’t resist this latest one for Sue Moorcroft’s Under the Mistletoe. You’ll realise how much I enjoy Sue’s writing when I share other Linda’s Book Bag posts with and about her below! I’d like to thank the Romantic Novelist Association’s Media Star of the Year, Rachel of Rachel’s Random Resources, for inviting me to participate and Avon Books for sending me a copy of Under the Mistletoe in return for an honest review.

Before I share that review, here are the other times Sue has featured. Just click on the titles to read more:

My review of Under the Italian Sun

My review of Summer on a Sunny Island

My review of Let It Snow

Discussing One Summer in Italy

An interview with Sue Moorcroft

A guest post from Sue on over-sharing and my review of The Christmas Promise

A guest post from Sue on her fantasy holiday companions

My review of Just For The Holidays

A guest post from Sue on loving a village book

My review of The Little Village Christmas

My review of A Christmas Gift

Under the Mistletoe was published by Harper Collins imprint Avon on 28th October 2021 and is available for purchase through the links here.

Under the Mistletoe

Snuggle up with a mince pie, a cup of cocoa and the most heartwarming book this Christmas from the bestselling Sue Moorcroft.

Christmas. A time for family, friends – and rekindling old flames…

When Laurel returns to the village of Middledip, she’s looking for a quiet life. Adjusting to her recent divorce, she’s ready to spend some time getting back on her feet amidst the glorious snow-dusted countryside.

Yet, life in Middledip is far from straightforward. Coming to the aid of her sister, Rea, as she navigates her own troubles, Laurel barely has a moment to think about where her own life is going.

However, time stands still when she sees her old flame, Grady Cassidy – and it’s soon as if they’ve never been apart. But through her happiness, Laurel remembers why she left the village all those years ago, as she recalls a dark night and Grady’s once-wayward brother, Mac…

Can Laurel learn to forgive and forget? Or will her chances of Christmas under the mistletoe with Grady remain a dream?

An enchanting, festive read, perfect for fans of Sarah Morgan and Carole Matthews.

My Review of Under the Mistletoe

Laurel has returned to Middledip.

Quite honestly, it wouldn’t be Christmas without a book from Sue Moorcroft, and in Under the Mistletoe, the spirit of Christmas shines through in so many ways that the book is a true embodiment of the season. There are kisses under the mistletoe, Christmas fairs, repeats on TV, traditional food and gorgeous gifts that mean any reader can relate to the story and feel immersed in the narrative. I thought the artistic aspect of the book was wonderful. The painting and crafting left me inspired to try something new for myself and it was obvious that Sue Moorcroft has researched techniques brilliantly.

It was just lovely to return to the Middledip setting with new and familiar characters, but anyone not having read one of Sue Moorcroft’s previous books set here can simply enjoy the story as a standalone read. I loved the cold descriptions of snow, frost and fog that help build a Christmassy feeling as they are balanced by warmth through hot chocolates and relationships so that Under the Mistletoe feels just perfectly presented.

Laurel’s return to Middledip is precipitated by several events that help build the plot and make Under the Mistletoe a really engrossing read. Whilst this is an uplifting and positive book, many of the themes have a deeper and more emotionally affecting aspect that give Under the Mistletoe layer upon layer of interest. Emotional baggage, trauma and the way the past affects our present are particularly engaging and I felt that Sue Moorcroft had really uncovered the human soul in this book whilst making it an entertaining and joyful read. That’s very skilful writing. The deeper, darker aspects of the story don’t detract from the wonderfully positive experience of reading Under the Mistletoe where there is humour and enthusiasm, particularly through the glorious Daisy, community spirit and love in many forms.

I thought Laurel was perfectly drawn and I was frustrated by her self-destructive inability to move on from her past. That said, she was presented so sensitively, and so realistically that I understood completely why she is as she is. Her relationships with Alex, Grady and Mac feel authentic and, consequently, very moving.

It’s always so tricky to say too much without spoiling the read for others, but alongside a top quality romantic read in Under the Mistletoe there’s warmth, depth and a totally engrossing story that is perfect escapism for a winter’s afternoon. I thought it was just lovely.

About Sue Moorcroft

Sue Moorcroft is a Sunday Times bestselling author and has reached the coveted #1 spot on Amazon Kindle UK as well as top 100 in the US. She’s won the Goldsboro Books Contemporary Romantic Novel Award, Readers’ Best Romantic Novel award and the Katie Fforde Bursary. Sue’s emotionally compelling, feel-good novels are currently released by publishing giant HarperCollins in the UK, US and Canada and by other publishers around the world. She’s also well known for short stories, serials, columns, writing ‘how to’ and courses. Born in Germany into an army family, Sue spent much of her childhood in Cyprus and Malta but settled in Northamptonshire, England aged ten. She loves reading, Formula 1, travel, time spent with friends, dance exercise and yoga.

You can follow Sue on Twitter @SueMoorcroft, find her on Instagram and Facebook and visit her website.

There’s more with these other bloggers too:

It’s an absolute pleasure to start off the Swift Press blog tour for To the Lake by Yana Vagner. My grateful thanks to Rachel Nobilo for inviting me to participate and for sending me a copy of To the Lake in return for an honest review.

To the Lake is published by Swift, today, 4th November 2021 and is available for purchase through these links.

To the Lake

A deadly flu epidemic sweeps through Moscow, killing hundreds of thousands. Anya and her husband Sergey decide they have no choice but to flee to a lake in the far north of Russia.

Joining them on their journey are her son and father-in-law; Sergey’s ex-wife and son; and their garish neighbours. But then some friends of Sergey show up to complete Anya’s list of people she’d least like to be left with at the end of the civilised world.

As the wave of infection expands from the capital, their food and fuel start to run low. Menaced both by the harsh Russian winter and by the desperate people they encounter, they must put their hatreds behind them if they’re to have a chance of reaching safety…

Inspired by a real-life flu epidemic in Moscow, To the Lake was a number one bestseller in Russia, and has now appeared in a dozen languages and been adapted into a Netflix TV series.

My Review of To the Lake

Anya is escaping a deadly virus.

I’ll be honest and say I was completely dubious about reading a book about a deadly virus causing a pandemic, and I’m not keen on dystopian type fiction, but from the very first page of To the Lake I was completely hooked by Yana Vagner’s writing so flawlessly translated by Maria Wiltshire. There’s a familiar sense of disbelief, unreality and panic that felt utterly authentic and compelling.

I thought To the Lake was a brilliant book. I think the sense of connection the reader has through understanding the panic, the need to keep away from infected people and the desire to keep loved ones safe that so many of us have endured makes To the Lake all the more affecting.

The plot is simple on one level. A group of people travel by vehicle as far away as possible from the pandemic. However, that is to belie the dramatic scenes and events littered along the journey, so perfectly balanced against more prosaic moments of the need to eat and sleep so that To the Lake feels completely authentic and possible, at the same time as being exciting and horrifying. Whilst there are hugely dynamic and exciting moments, for me it is the quieter moments, the psychological uncovering of behaviour through Anya’s first person narrative, that make this such a compelling story.

Anya’s voice is absolutely true. Her insecurities about Sergey and Ira, her love for Mishka and her difficult relationships with others like Boris and Marina make To the Lake a fascinating insight into a normal, troubled, flawed and realistic human mind. I’m not entirely sure I’d like Anya in real life, but my goodness Yana Vagner made me care about what happened to her and ensured I understood her completely. This is such clever and interesting writing.

What is so astounding in To the Lake is that whilst it has an atmosphere of dystopia about it, it also rings clear and true for today’s world too. The primal instinct for survival, sometimes at any cost, the basic human requirements for food and shelter, the breakdown of society in challenging times, suspicion balanced by altruism all add up to a narrative that is raw, exciting and engrossing, drawing in the reader almost against their will.

I’m unsurprised that To the Lake has become a television series. Yana Vagner’s writing is so dynamic. Her descriptions of the snow, the cold, the villages all paint a wonderful image in the reader’s mind so that I felt as if I were on the journey with Anya et al.

Dramatic, intense and realistically terrifying, To The Lake is a book I won’t forget in a hurry. I thought it was excellent

About Yana Vagner

Yana Vagner was born in 1973 to a bilingual Soviet family of a Czech mother and a Russian father. After graduating from the Russian State University for the Humanities in 1994 and, up until 2010, she worked as a translator and a manager in a logistics company. Yana had always been keen on post-apocalyptic stories.

A short while ago I attended my old school reunion as a result of which I came into contact with Michael Davis who also attended the same school. Well of course, once I realised Michael had written a book I simply had to invite him on to Linda’s Book Bag to stay in with me and tell me all about it.

Staying in with Michael Davis

Welcome to Linda’s Book Bag Michael and thank you for agreeing to stay in with me.

Tell me, which of your books have you brought along to share this evening and why have you chosen it?

I have brought my first novella, Virgin on the Ridiculous, which I am very proud of. Not having written a book before, it was an unexpected achievement to write and self-publish it on Amazon. It provides a slightly exaggerated record of the times I have spent on the water with my partner during our sailing holidays in beautiful destinations around the Mediterranean and the Caribbean.

I think we could all do with a trip to the Caribbean at the moment. It’s far too long since I’ve been! What can we expect from an evening in with Virgin on the Ridiculous?

I hope an evening in with Virgin on the Ridiculous, will find you laughing out loud.

Well I love the word play in the title!

We follow the hero, Michael, as he desperately tries to impress his new girlfriend Jet, who he has persuaded to join him sailing in the Caribbean. Despite his valiant attempts, his incompetence as a novice skipper inevitably leads to repeated incidents of near disaster. As the holiday progresses, we also learn how Michael was introduced to the challenging and rewarding sport of sailing with its unique language and abundance of interesting characters. We follow his journey from it’s innocent beginnings learning to sail a dinghy while suffering a cataclysmic hangover to gaining his first experience on a yacht in a near gale on the Solent.

I would love to imagine that the vivid imagery and sense of adventure in my book, would tempt you into a boat and go sailing. As one reviewer put it – “It made me fall in love with sailing whilst making me fear that I may never be seen again if I attempted to pursue it.”

That’s a brilliant response.

What else have you brought along and why have you brought it?

I have brought a selection of photographs from the British Virgin Islands, where the tale unfolds. These are pictures of sun-kissed beaches, emerald seas and Jet and Michael soaking wet in flimsy waterproofs – Well it was the height of the hurricane season!  Plus a bottle of Caribbean rum to add to the cocktails we can enjoy during the interview.

Hmm. Not sure about that rum. I’m not a big drinker and the last time I was in the Caribbean on a snorkelling trip the boat owner took a shine to me and plied me with rum punch on the trip back. I hadn’t quite realised the potency, thinking it was just a fruity drink. I couldn’t walk in a straight line when I got back to shore!

I started writing the book while lying on a beach in the Canary Islands. At the time I was simply recollecting memories of the sailing holidays my partner and I had narrowly survived. I found myself enjoying the process to such an extent that I persevered and surprised myself by finishing the story. I even succeeded in giving it an ending which would prompt me to write a sequel. Consequently, I have now finished my second book, Down the Hatch, about the strange goings on at the sailing club I belong to. Recently I have challenged myself with the ambitious task of completing a trilogy with a tale about the two of us living on a yacht in the Mediterranean.

Congratulations on both books Michael. Thanks so much for staying in with me to chat about Virgin on the Ridiculous.

Virgin on the Ridiculous

A light hearted tale of the ridiculous mishaps suffered by a novice skipper in his desperate attempts to impress the feisty Jet as they sail around the British Virgin Islands.

Virgin on the Ridiculous is available for purchase here.

About Michael Davis

Michael Davis is a school teacher living in Kent. He loves to travel, trying to fulfil his ambition to visit every continent. He plays the guitar and sings having played at venues around the country including The Rock Garden in London. His love of sport involves him in playing football, basketball and golf in his more sedate moments. He caught the sailing bug late in life, initially in dinghies and now owns a small yacht moored on the River Thames. He tries to charter a yacht in a new destination each year and hopes to spend a prolonged period sailing around the Mediterranean in the future.

You’ll find Michael on Facebook.

You know, it really wouldn’t feel like the run up to the festive season without a new Heidi Swain book and I’m delighted to participate in the blog tour for Heidi’s latest book, Underneath the Christmas Tree. My thanks to Harriett Collins for inviting me to participate. I’m delighted to share my review today.

Other posts about and involving Heidi here on Linda’s Book Bag include:

My review of A Taste of Home here.

My review of The Winter Garden here.

My review of The Secret Seaside Escape here.

My review of Poppy’s Recipe for Life here.

My review of Mince Pies and Mistletoe at the Christmas Market here.

A ‘staying in’ post with Heidi to chat all about Sunshine and Sweet Peas In Nightingale Square here.

A guest post from Heidi to celebrate Snowflakes and Cinnamon Swirls at the Winter Wonderland, explaining exactly what Christmas means to her here.

Published by Simon and Schuster on 28th October, Underneath the Christmas Tree is available for purchase through these links.

Underneath the Christmas Tree

Wynter’s Trees is the home of Christmas. For the people of Wynmouth it’s where they get their family Christmas tree, and where Christmas truly comes to life.

But for Liza Wynter, it’s a millstone around her neck. It was her father’s pride and joy but now he’s gone, she can’t have anything to do with it. Until her father’s business partner decides to retire and she must go back to handle the transition to his son Ned.

When Liza arrives, she discovers a much-loved business that’s flourishing under Ned’s stewardship. And she’s happy to stay and help for the Christmas season, but then she has other plans. But will the place where she grew up make her change her mind? And can it weave its Christmas cheer around her heart…?

My Review of Underneath the Christmas Tree

Liza has unfinished business at Wynter’s Trees.

What a gorgeous story. I was entirely captivated by Underneath the Christmas Tree with its wonderful Wynmouth community spirit, its sense of friendship and its exemplification of what can be achieved through team work, loyalty and giving people a chance. Heidi Swain’s writing embodies the true meaning of Christmas.

There’s a lovely story that sweeps along making the reader feel Christmassy and uplifted, so that Underneath the Christmas Tree is a perfect book to raise even the glummest mood. Although it’s obvious (and no spoiler) that there will be a happy ending, that is what is so engaging, because the journey to that moment is so realistic, especially because of Liza’s own self-delusion and inability to recognise her own true worth. I felt she was the embodiment of so many women and I loved her for it. I wanted her to be happy from the moment I met her. The way Liza compares herself with Maya is utterly relatable. Maya too is a fabulous character as through her Heidi Swain inverts the cold beauty image of so many books and gives Maya a warm and engaging personality that feels natural and realistic. Underneath the Christmas Tree did bring a tear to my eye a couple of times because I was so invested in the characters, but it left me with a smile on my face and an overwhelming feeling of happiness and contentment.

Similarly, what I found so engaging about Ned was his ordinariness, his good nature and his hard working ethos. Heidi Swain proved that there doesn’t need to be great riches, and a brooding, complicated hero for a wonderfully romantic read. Ned is real. He can be sulky and quick tempered but he’s also honest and determined, making him a man who is vivid and attractive.

I also thoroughly appreciated the more minor characters. Through them Heidi Swain weaves subplots with major themes. I can’t spoil the story by revealing them, but concepts of relationships, family, loyalty, protection, community swirl through the pages of Underneath the Christmas Tree. One of the aspects I loved the most was how Liam illustrates that sometimes, all we need to do is look beyond the obvious and give others a chance.

Charming, enchanting and thoroughly lovely, Underneath the Christmas Tree isn’t about Christmas. It IS the spirit of Christmas in book form. I adored it.

About Heidi Swain

Heidi lives in beautiful south Norfolk with her family and a mischievous cat called Storm. She is passionate about gardening, the countryside, collecting vintage paraphernalia and reading. Her TBR pile is always out of control!

You can follow Heidi on Twitter @Heidi_Swain and visit her blog or website. You’ll also find Heidi on Facebook and Instagram.

There’s more with these other bloggers too:

As regular Linda’s Book Bag readers will know, I’m rather fond of poetry and so I’m delighted to bring news of the Jerwood Compton Poetry Fellows for 2020/21.

The Jerwood Compton Poetry Fellowships

The Jerwood Compton Poetry Fellowships are a six-year initiative supporting poets in the UK. The programme runs biennially for three editions between 2017 and 2022, creating a total of nine Fellows. Each receives a bursary of £15,000 and mentoring support. The Fellowships invest in the process and practice of making poetry, with no expectations of published work or performed events as a result of the award, and support individuals whose practice encompasses poetry in the broadest artistic sense. Poets are matched with a core mentor and have further access to a range of advisers and ‘critical friends’ to support their developing practice.

The Jerwood Compton Fellowships are designed and managed by Jerwood Arts, with support from Arts Council England including funds from the Joseph Compton bequest.

Jerwood Arts is the leading independent funder dedicated to supporting early-career UK artists, curators and producers to develop and thrive. They enable transformative opportunities for individuals across art forms, supporting imaginative awards, fellowships, programmes, commissions and collaborations. Jerwood Arts present new work and bring people from across the arts together in the galleries at Jerwood Space, London, as well as online and across the UK.

More information can be found on the Jerwood Arts website. You’ll also find them on Twitter @Jerwoodarts, Instagram and Facebook.

Arts Council England is the national development body for arts and culture across England, working to enrich people’s lives. They support a range of activities across the arts, museums and libraries – from theatre to visual art, reading to dance, music to literature, and crafts to collections. Great art and culture inspires us, brings us together and teaches us about ourselves and the world around us. In short, it makes life better. Between 2018 and 2022, they will invest £1.45 billion of public money from government and an estimated £860 million from the National Lottery to help create these experiences for as many people as possible across the country.

More information can be found on the Arts Council England website. You’ll also find them on Twitter @ace_national, Instagram and Facebook.

The Fellows

Three of the UK’s most exciting poets Romalyn Ante, Dzifa Benson, and Jamie Hale have been selected as the Jerwood Compton Poetry Fellows for 2020/21.

Each poet receives £15,000 and is given a year of critical support and mentoring. Turning the idea of an arts prize on its head, the Jerwood Compton Poetry Fellowship provides each poet with the time and space to focus on their craft and fulfil their potential with no expectation that they produce a particular work or outcome.

Recognising the power of potential, the Jerwood Compton Poetry Fellowship’s approach to funding advocates for a change in art funding practice in the UK, providing opportunities outside commercial pressures for artistic growth and new ideas to flourish. The Fellowship provides financial support towards the development of under-supported and diverse artistic practices across the UK, with a focus on the pursuit of artistic experimentation and the space for artists to thrive.

This alternative approach to recognising and rewarding outstanding poets, is now in its third and final edition. Previous recipients are: Raymond Antrobus, Jane Commane and Jackie Hagan (2017-18 Jerwood Compton Poetry Fellows) and Hafsah Aneela Bashir, Anthony Joseph and Yomi Ṣode (2019-20 Jerwood Compton Poetry Fellows).

Romalyn Ante, Dzifa Benson, and Jamie Hale illustrate how diverse and exciting poetry has become in the 21^st century. Through activism, visual arts, theatre, and drawing from their personal experiences/circumstances, the three poets express their practice through a multitude of ways, opening poetry up to a wide range of audiences. Each poet has produced outstanding work to date and have demonstrated enormous, unselfish generosity towards other poets, giving far more than they have received particularly during the pandemic. They have been selected for the potential they display at this critical point in their individual careers, when the support provided from the Fellowship will make the most difference.

Alongside the freely given grant of £15,000, the three Fellows will each receive mentoring from the programme’s manager Dr Nathalie Teitler FRSA and access to experts drawn from the poetry world and beyond. Nathalie has run literature programmes promoting diversity in the UK for over 20 years, founding the first national mentoring and translation programmes for writers living in exile. She is the Director of The Complete Works – a national development programme that helped to raise the number of Black and Asian poets published by major presses.

Romalyn Ante

Romalyn Ante is an award-winning Filipino-born, Wolverhampton-based poet, translator, editor and essayist. She is co-founding editor of harana poetry, an online magazine for poets writing in English as a second or parallel language, and her accolades include the Poetry London Prize, Manchester Poetry Prize, Society of Author’s Foundation Award, Developing Your Creative Practice, Creative Future Literary Award, amongst others. Apart from being a writer, she also works full-time as a nurse practitioner, specializing in providing different psychotherapeutic treatments.

You can follow Romalyn on Twitter @RomalynAnte.

Dzifa Benson

Dzifa Benson is a multi-disciplinary artist whose work intersects science, art, the body and ritual, which she explores through poetry, prose, theatre-making, performance, essays and criticism. She has performed nationally and internationally for Tate Britain, the Courtauld Institute of Art, BBC Africa Beyond and more, and she abridged the National Youth Theatre’s 2021 production of Othello in collaboration with Olivier award-winning director Miranda Cromwell.

You can follow Dzifa on Twitter @DzifaBenson.

Jamie Hale

Jamie Hale is a poet, script/screenwriter and essayist based in London, whose work often explores the disabled body, nature, and mortality. Their pamphlet, Shield – about disability, treatment prioritisation, and the COVID-19 pandemic was published in January 2020. Their solo poetry show, NOT DYING, was performed at the Lyric Hammersmith and Barbican Centre in 2019, and the filmed version has screened nationally and internationally since. Jamie is also the founder of CRIPtic Arts, an organisation showcasing and developing work by and for d/Deaf and disabled creatives.

You can follow Jamie on Twitter @jamierhale.

More information

Jon Opie, Deputy Director, Jerwood Arts, said: “The Jerwood Compton Poetry Fellowships is a special programme, which over the last four years has charted significant changes in the poetry world as begins to embrace the diversity of voices, experience and histories it encompasses. Past Fellows, and now the ones we have announced today, exemplify some of the multitudes of forms and languages that makes poetry an essential part of this country’s life, inseparable from mainstream media, powerfully articulating lived-experiences and enhancing other art forms. I am hugely looking forward to working with Romalyn, Dzfia and Jamie over the coming year. Their talents are unique, and yet they share a generosity and sense of responsibility towards other poets and their communities. I have no doubt their Fellowships will be profound for them and for others around them.”

Sarah Crown, Director of Literature, Arts Council England, said: “The Jerwood Compton Poetry Fellowship continues to champion change in art funding practice in the UK as fearlessly as it has done for the last four years. Providing mentoring, financial support and, most importantly, time and space for under-represented poets to experiment and hone their craft – without the external pressures of meeting a particular outcome – nurtures creativity and enriches the sector as a whole.

The selectors have had the tough task of choosing three recipients from what was yet again an extremely strong set of nominees. Romalyn, Dzifa and Jamie join a long line of talented Fellows, and I am excited to see how they flourish over the coming year.”

The three recipients were selected from a strong field of nominees by award-winning poet and writer Joelle Taylor; writer, performer, and facilitator Yomi Ṣode (Jerwood Compton Poetry fellow 2019); and award-winning poet Pascale Petit.

Nominations were made by a pool of over 200 specialists nationally including poets, publishers, editors, literary development agencies, artists, funders and festival organisers.

Selector Joelle Taylor said: ”The task of selecting only three Fellows from a longlist of  86 poets was a painful process. Each of the poets we saw were of an international standard, committed to their practice and the changes they wish to see in their work. We made decisions based not only who was ‘best’ but on who it felt most essential to support. The three Fellows we chose are at an urgent moment in their careers. They stand at a crossroads within their art, compelled to make substantial changes, to forge new narratives, to develop in a way that would not be possible without support from Jerwood Compton Poetry Fellowships.”

The poets now join the six previous Jerwood Compton Poetry Fellows – Raymond Antrobus, Jane Commane, Jackie Hagan, Yomi Ṣode, Hafsah Aneela Bashir and Anthony Joseph – who have shown how transformative a supported year can be. Without setting limits or expectations, the Fellowship has enabled the careers of previous Fellows to flourish. Each Fellow has significantly developed their practice, and themselves, through the support of the Jerwood Compton Poetry Fellowships.

Fellow Raymond Antrobus has gone on to win the Ted Hughes Award, be the London Book Fair Poet of The Fair, and be shortlisted for the Forward Prize for Best First Collection, the Griffin Poetry Prize and the T.S. Eliot Prize, amongst other achievements. In 2019 he became the first ever poet to be awarded the Rathbone Folio Prize for the best work of literature in any genre.

Jane Commane launched her first poetry collection, Assembly Lines at the Verve Festival in 2018, published by Bloodaxe. She also launched How to be a Poet: A 21st Century Guide to Writing Well, which ranked among the top five writing guides on Amazon. She is currently working on her second poetry collection, working title Municipal.

Jackie Hagan was one of five writers selected by Hat Trick Productions for its Your Voice, Your Story development scheme in partnership with Channel 4. In 2018, her one woman show, This is Not a Safe Place, showcased at the Hebden Bridge Festival and at the Unlimited Festival, Southbank Centre.

Fellow Yomi Ṣode has toured his acclaimed one-man show COAT to sold-out audiences. In 2020 his libretto Remnants, written in collaboration with award-winning composer James B. Wilson and Chineke! Orchestra was lauded by BBC Radio 3 and The Guardian. He founded BoxedIn and The Daddy Diaries – an online blog platform for fathers & guardians. Yomi’s debut collection is scheduled for publication by Penguin in Spring 2022.

Fellow Hafsah Aneela Bashir was commissioned to write her play Cuts Of The Cloth for PUSH Festival 2019. Her debut poetry collection The Celox And The Clot was published by Burning Eye Books. During lockdown she founded the Poetry Health Service, a digital service providing free poetry panaceas by the people for the people.

Fellow Anthony Joseph was shortlisted for the Republic of Consciousness Prize, the Royal Society of Literature’s Encore Award, and long listed for the OCM Bocas Prize for Caribbean Literature for his novel Kitch. As a musician, he has released seven critically acclaimed albums, and in 2020 he received a Paul Hamlyn Foundation Composers Award.

I cannot thank Abi Walton enough for sending me a copy of the children’s book Nature’s Treasures by Ben Hoare in return for an honest review.

Nature’s Treasures is published by DK on 18th November and is available for pre-order through these links.

Nature’s Treasures

The world is filled with curious objects made by plants, animals, and even by the Earth itself. Dive into this collection of more than 100 intriguing items from the natural world and discover the stories behind them.

Learn how bristly mouths help huge whales capture tiny animals, how minute scales make butterflies shine in the sunlight, and how studying a leaf skeleton can tell us how it transports food. A bird egg, a lump of coal, a cacao pod, a mermaid’s purse, a fossil, a pine cone, an owl pellet, and a chrysalis – all tell a story. Arranged into four chapters: Animals; Plants, fungi, and algae; Minerals and rocks, and Made by nature, objects are shown with truly stunning photography and colourful illustrations to help explain the science behind them. The lively descriptions by best-selling nature writer Ben Hoare explore the remarkable tales of each item and all are packed with fascinating information.

Nature’s Treasures takes you on a tour of our planet through commonplace-but-incredible objects made by nature itself. This book is for every inquisitive child who loves to spot things when exploring outside and wants to know more about the wonderful and mysterious natural world.

My Review of Nature’s Treasures

A guide to the wonders of the natural world.

Wow. What a book. Nature’s Treasures is absolutely amazing.

Firstly I must comment on the physical production of Nature’s Treasures. As one would expect from a DK book, it is top quality with a beautifully foiled cover that is so solid and robust the book will endure years of handling and reading.  Add in the gold edges and Nature’s Treasures feels completely sumptuous. The orange endpapers are beautifully designed and the illustrations by Kaley McKean are glorious. As well as those illustrations, there are also stunning photographs throughout to exemplify the text. In addition, not only does the white space enhance the images, but it means that the writing is totally accessible to independent young readers, being brief whilst containing incredible information so that even the most reluctant young reader can access the text.

Nature’s Treasures is divided into sections covering animals, plants, fungi and algae, minerals and rocks, and items made by nature, with sensible advice for young nature spotters at the beginning and a useful glossary and index covering everything from aardvark to zinc at the back. Every section is packed with information. Indeed, whilst Nature’s Treasures would make a brilliant gift for individual children, it would also enhance any KS2 classroom because there are so many other references within its pages such as the etymology of fulgurite so that young minds can be inspired to learn more beyond the pages of the book.

There’s so much to discover within the pages of this book that I cannot praise Nature’s Treasures highly enough. It is fantastic and would make a wonderful gift. Buy it!

About Ben Hoare

Ben Hoare is an award-winning journalist and nature nerd. He loves writing about wildlife and how we can all help to protect the natural world. Ben’s books An Anthology of Intriguing Animals (2018) and Wonders of Nature (2019) are international bestsellers. The Guardian newspaper said: “His writing is funny, informative and zinging with infectious enthusiasm.”

Ben has written and edited natural-history books and magazines for DK, Pan Macmillan, the BBC, London’s Natural History Museum and many others.

He was Features Editor of BBC Wildlife Magazine from 2008 to 2018, and is now its Editorial Consultant.

In 2015 Ben was awarded the Dilys Breese Medal for science communication by the British Trust for Ornithology (BTO). He is one of only 18 people to hold the award.

For further information about Ben, visit his website, follow him on Twitter @benhoarewild and find Ben on Instagram.

About Kaley McKean

Kaley McKean is an illustrator based in Toronto. She received her BDes in Illustration from OCAD U in 2012, and since then has been working in the realms of editorial illustration, children’s publishing, and product design.

Her work features bright, minimal colour palettes and hand-made textures. She is inspired by medieval bestiaries, folklore, and the natural world. She will happily draw you any animal.

Kaley lives in Toronto’s west end with her husband.

You can follow Kaley on Twitter @KaleyMcKean and visit her website for more information. You’ll also find Kaley on Instagram.