I’m not entirely sure which lovely publicist it was who sent me a surprise copy of the children’s poetry book Gods and Monsters – Mythological Poems chosen by Ana Sampson and illustrated by Chris Riddell way back in August, but I was delighted that they did! It’s my absolute pleasure to share my review of Gods and Monsters today.

Published by Macmillan Children’s Books on 14th September 2023, Gods and Monsters – Mythological Poems is available for purchase through the links here.

Gods and Monsters – Mythological Poems

A stunning gift book drawing together mythological poems – classic and brand-new – from around the world, illustrated throughout in black and white by award-winning former children’s laureate Chris Riddell. Compiled by bestselling anthologist Ana Sampson, with an introduction by Natalie Haynes, author of Stone Blind.

People all over the world have always told each other stories. And from the very earliest times, many of these stories were told in verse. This collection of poems includes retellings and reimaginings of Roman, Greek, Egyptian, Norse, Celtic, Aztec, Japanese and Inuit mythology.

You will meet gods, monsters, tricksters, heroes, magical creatures and objects, magicians and spirits including Medusa, Icarus, Loki, Osiris, the Minotaur, Pegasus, Bunyip, Kukulcan, Cerberus, Beowolf and Mjolnir and there are footnotes to shine a light on stories themselves.

Includes poems from Neil Gaiman, W B Yeats, Kae Tempest, Sylvia Plath, Shakespeare, Benjamin Zephaniah, Joseph Coelho and many more. . .

My Review of Gods and Monsters – Mythological Poems

A collection of illustrated poems for older children.

Wow! What a cracker of a poetry book. Gods and Monsters is just the book parents, carers and teachers need to interest even the most reluctant young reader of poetry. It’s fabulous.

The collection is organised into sections and can be dipped into at random, or the poems can be read in the progression from The First Rays of the Sun: Beginnings to The Dark World: Underworlds and Afterlives as they are presented. Readers might like to access the poetry through the alphabetical index of first lines or through the author and translator index too, so that the anthology can surprise and engage in so many ways. The potential for further research (particularly through the occasional footnotes)  into cultural monsters, the different myths and legends and the poets themselves is immeasurable, making this a collection valid far beyond the covers and contents.

Gods and Monsters would be wonderful for schools. I can imagine young readers sharing their own cultural monsters in oral projects perhaps or young writers creating poems to fit into the overarching section titles, with entries like Cream of Fool Iva: A Recipe by Randi Anderson being read alongside the witches brew in Macbeth for example, or any number of the poems being used as a stimulus for longer writing, drama or art. There’s such a range of poetic techniques such as free verse and many kinds of rhyme and structure that young readers could be taught them as a natural part of the enjoyment in reading the poems.

And that’s the greatest success for me of Gods and Monsters. Whilst I find it hard not to think about how I might have used the book when I was an English teacher, that’s not the point. Here we have an eclectic, fascinating selection of poetry to engage, entertain, inspire, revolt, scare – indeed every emotion or response you can think of with something for every reader regardless of age or ability. Add in the fact that these poems are fabulously illustrated by Chris Riddell to bring them alive and uncover and enhance their meaning and Gods and Monsters becomes a fabulous giftbook, or something to retain and dip into at any time for readers of any age from 10 and above.

And for those who still say they don’t read or like poetry? Point them to the introduction by Natalie Haynes so that they realise poetry is another form of story just waiting for them to dive in.

I thought Gods and Monsters was a cracking anthology and really recommend it.

About Ana Sampson

Ana has been editing poetry anthologies since 2009, when I Wandered Lonely as a Cloud and Other Poems you Half-Remember from School was the third bestselling poetry title that year. More recently she has edited two volumes of poetry by women, She is Fierce (an Amazon number one category bestseller) and She Will Soar, a collection of poetry about motherhood, Night Feeds and Morning Songs, and Wonder: The Natural History Museum Poetry Book. She has contributed articles to books including Writers’ Market UK and The Book Lover’s Companion and to newspapers and magazines, and talked about poetry and publishing at literary festivals, bookshop events, at libraries, in schools and online. Ana has also appeared on television and radio talking about books, poetry and teenage diaries. She lives in Surrey with her husband, two daughters, two demanding cats, and far too many books.

For further information, visit Ana’s website and find her on Twitter/X @AnaBooks, and Instagram.

About Chris Riddell

Chris Riddell, the 2015-2017 UK Children’s Laureate, is an accomplished artist and the political cartoonist for the Observer. He has enjoyed great acclaim for his books for children. His books have won a number of major prizes, including the 2001, 2004 and 2016 CILIP Kate Greenaway Medals. Goth Girl and the Ghost of a Mouse won the Costa Children’s Book Award 2013. His work for Macmillan also includes the bestselling Ottoline books, The Emperor of Absurdia, and, with Paul Stewart, the Muddle Earth books, the Scavenger series and the Blobheads series. Chris has been honoured with an OBE in recognition of his illustration and charity work. He lives in Brighton with his family.

For further information, visit Chris’s website, find him on Instagram and Facebook or follow him on Twitter @chrisriddell50