Why Mummy Drinks by Gill Simms

Why mummy drinks

My enormous thanks to Polly Osborn at Harper Collins for a copy of Why Mummy Drinks in return for an honest review.

Why Mummy Drinks was published on 19th October 2017 by Harper Collins and is available for purchase through the publisher links here.

Why Mummy Drinks

Why mummy drinks

It is Mummy’s 39th birthday. She is staring down the barrel of a future of people asking if she wants to come to their advanced yoga classes, and polite book clubs where everyone claims to be tiddly after a glass of Pinot Grigio and says things like ‘Oooh gosh, are you having another glass?’

But Mummy does not want to go quietly into that good night of women with sensible haircuts who ‘live for their children’ and stand in the playground trying to trump each other with their offspring’s extracurricular activities and achievements, and boasting about their latest holidays.

Instead, she clutches a large glass of wine, muttering ‘FML’ over and over again. Until she remembers the gem of an idea she’s had…

My review of Why Mummy Drinks

Ellen is fast approaching 40 and as her two children behave like tyrants and her husband Simon retreats in front of the TV she turns to drink!

Although I use them myself on occasion, I’m not usually particularly fond of books with loads of expletives and Why Mummy Drinks is peppered liberally with them from the euphemistic initials of FML to more outright examples. So, I think it says something about Why Mummy Drinks that I absolutely loved it!

It took me quite a long time to read Why Mummy Drinks because I literally couldn’t see through the tears of laughter running down my face. I had to read parts aloud to my husband and that took extra time as I couldn’t stop laughing long enough to do so properly. I found it utterly hilarious. For me, most of the humour came through Ellen thinking exactly what so many of us think too, but also through the carefully crafted writing. Gill Simms knows exactly where to use upper case letters or a judicial full stop for maximum impact. I found her writing flowed faultlessly.

I loved too, the family dynamics, especially as Peter and Jane confirmed everything I ever believed about children as a non-parent. Of course the characterisation is somewhat exaggerated in order to fit the genre, especially with Louisa, but that didn’t make the people in Why Mummy Drinks any less believable. Ellen is an absolute triumph of self deception, exasperation and realism.

Although the plot is slightly incidental as Why Mummy Drinks is a kind of monologue from Ellen, I thought the division into the months of the year so that ordinary family events like bonfire night, Easter and Christmas could be explored, worked brilliantly and when I’d finished reading and reflected I discovered there was actually quite a lot going on. Indeed, humour and fabulous entertainment aside, Why Mummy Drinks is also a witty and insightful insight into the modern world of middle class Britain – but don’t let that put you off, as it’s also a laugh out loud, fantastic read that I completely adored. Just brilliant.

About Gill Simms

Gill simms

Gill Sims is the author and illustrator of the hugely successful parenting blog and Facebook site ‘Peter and Jane’. She lives in Scotland with her husband, two children and a recalcitrant rescue Border Terrier, who rules the house. Gill’s interests include drinking wine, wasting time on social media, trying and failing to recapture her lost youth and looking for the dog when he decides to go on one of his regular jaunts.

You’ll find Why Mummy Drinks on Twitter, and can visit Gill’s Peter and Jane Facebook page or read her blog.

Why A Book Launch Matters: A Guest Post by Barbara Henderson, Author of Punch


I am absolutely delighted to welcome back Barbara Henderson, author of Punch to Linda’s Book Bag. Barbara is a wonderful person and a fantastic writer. You can find out what I thought of her novel Fir For Luck here. Fir For Luck was one of my books of the year in 2016 and I was thrilled when Barbara shared her previous publication day experience with me here.

Punch is published today, 23rd October 2017, by Pokey Hat, the children’s book imprint of Cranachan and is available for purchase here.



Wrong place. Wrong time. A boy on the run.

Smoke belches out through the market entrance.

And me?

I turn and run.

Inverness 1889.

When 12-year-old Phin is accused of a terrible crime, his only option is to flee. In the unlikely company of an escaped prisoner and a group of travelling entertainers, he enters a new world of Punch and Judy shows and dancing bears.

But will Phin clear his name?

And what can he do when memories of a darker, more terrible crime begin to haunt him?

Why a Book Launch Matters

A Guest Post by Barbara Henderson


By the time you read this, my book Punch will be officially out in the big wide world – today is publication day, and I will be three days away from the beginning of my grandly named but probably actually not all that impressive launch tour.

I think every book deserves a proper launch – not to bother seems churlish, akin to denying an excited child a birthday party. When Fir for Luck, my debut novel for children, was launched last year, I put out a general invite to friends and family, chatted to my local Waterstones branch and that was that. Thankfully, to my immense relief, they came – many of them! Waterstones swiftly ran out of space, and then books – and I was euphoric! It’s that feeling when walking into the church at your own wedding. You know everyone (well, almost everyone), and they are on your side, willing you on to succeed. They listen, they smile, and – helpfully – they may even buy!


Of course, the thought of a launch event with an audience may seem daunting to some. I am by no means an introvert, but even I feel an onslaught of nervousness  just before.

So why should anyone bother?

  1. To forge links with local booksellers ! These people are part of your journey, and you are part of theirs. Your success is their success. Happy bookbuyers make their hearts sing, just as they do yours (and your publisher’s).
  2. To raise awareness of your book. True story: I had a knockback last week. A well-known radio show we had approached in the summer had asked for a copy of Punch. It sounded interesting. Yes, this may well be a fit for their show. When I hadn’t hear anything in response, I got in touch. Oh, they said. Didn’t you know that 500 books were published last week in the UK alone? No, we won’t be able to feature your book. Too crowded out there.

Do you see my point? A book, out there on its own, struggles to be noticed (especially if you are not a well-known author already). A book, with images of a well-attended launch event, on the other hand, makes for a more promising premise. Especially if you can think of something quirky.

  1. To be remembered! Coming back to my point of quirkiness, you have a better chance of online success if your images stand out from the crowd. Take Edinburgh writer Lesley Kelly. Her novel The Health of Strangers was launched a while ago. I have only met her fleetingly, her book is not usually my genre, but yet, I remember the title, the author and the publisher. Why?

Because she had an awesome idea for her book launch!  What could be better for the launch of a virus-themed novel than wearing a bio-hazard suit, serving nibbles in syringes/petri dishes, and handing out protective face masks to the audience. The images continued to do the rounds online long after the launch had come and gone. And I remembered her book! Of course, my question is: What quirky thing might work for Punch? Puppetry will feature, naturally. For the children’s events, a bit of dressing up (I am customising  costumes as speak) and some props for audience participation tend to go down well in schools. I am going to basically wear a Punch and Judy tent (well, a dress with that type of pattern) – think bold red and white stripes, probably teamed up with red shoes. And there is a giant inflatable club – after all, the word slapstick came from Punch and Judy shows! Any new ideas welcome!


  1. To attract a bit of media interest! An unusual venue might really help with this. In today’s visual world, anything that makes for a fab photo opportunity goes down well, and it may be as beneficial to the venue as it is to you. My Glasgow launch is going to take place with a school group, in the Scottish Mask and Puppet Centre. Provided the school is ok with this, there is nothing to say that we can’t invite the Glasgow papers’ journalists/ TV /radio crews, simply because it is different. And as I am, sadly, not all that interesting on my own, an unusual venue, I hope, may help. Let’s face it, I need all the help I can get! With 500 books published in a single week, we all do!
  2. To have fun! Most of us pass on having a party for any occasions, as if it was an ordeal to celebrate a success or an achievement with like-minded people. Come on! Let’s shed the British reserve, kick our figurative shoes off and let rip. You have a book out!

That is more than enough reason to revel! Wish me luck for my first launch events for Punch on the 26th! I can’t wait!

(We wish you all the (well-deserved) luck in the world Barbara.)

About Barbara Henderson


Barbara Henderson has lived in Scotland since 1991, somehow acquiring an MA in English Language and Literature, a husband, three children and a shaggy dog along the way. Having tried her hand at working as a puppeteer, relief librarian and receptionist, she now teaches Drama part-time at secondary school.

Writing predominantly for children, Barbara won the Nairn Festival Short Story Competition in 2012, the Creative Scotland Easter Monologue Competition in 2013 and was one of three writers shortlisted for the Kelpies Prize 2013. In 2015, wins include the US-based Pockets Magazine Fiction Contest and the Ballantrae Smuggler’s Story Competition.

You can find out more by following Barbara on Twitter and reading her blog. You’ll also find her author page on Facebook.

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Punch tour poster

The Cabinet of Linguistic Curiosities by Paul Anthony Jones

Cabinet of linguistic curiosities

I had been coveting The Cabinet of Linguistic Curiosities: A Yearbook of Forgotten Words by Paul Anthony Jones so when a copy arrived on my door mat I was thrilled and I’m delighted to be part of the launch celebrations today. Not only do I have my review, but I have today’s entry so that you can get a flavour of the book.

The Cabinet of Linguistic Curiosities was published by Elliott and Thompson on 19th October 2017 and is available for purchase here.

The Cabinet of Linguistic Curiosities

Cabinet of linguistic curiosities

Who knows where each day will lead you?

Open The Cabinet of Linguistic Curiosities on any day of the year: you might leap back in time, learn about linguistic trivia, follow a curious thread or wonder at the web of connections brought to you by popular language blogger Paul Anthony Jones.

Within its pages you will discover a treasure trove of language, with etymological quirks and connections for every day of the year.

Today’s Entry in The Cabinet of Linguistic Curiosities

22 October

brolly-hop (n.) a parachute jump

On 22 October 1797, a French balloonist and daredevil named André-Jacques Garnerin performed the world’s first successful parachute jump.

Floating in a gondola hanging beneath a hot air balloon, Garnerin climbed to a height of 3,000 feet above the Parc Monceau in central Paris. He then cut the ties attaching his basket to the balloon, which floated skyward, and as he and the gondola began their descent, his homemade 23-foot canvas parachute unfurled above him. The descent was far from smooth, and the basket swung violently as it fell, but Garnerin managed to make a bumpy but nevertheless successful landing in the grounds of the park and stepped from the gondola uninjured.

Over the years that followed, Garnerin continued to improve his hot air balloon parachute designs, and gave regular demonstrations of his prototypes to ever larger crowds; in 1798, he courted controversy by asking a woman named Citoyenne Henri to accompany him on one of his flights.

Sadly, after a lifetime of surviving perilous falls, in 1823 Garnerin was struck by a falling beam while constructing a new balloon in his workshop and was killed. His place in history as the world’s first successful parachutist, however, was secured.

To British Royal Air Force parachutists in the first half of the twentieth century, parachuting became known as brollyhopping, while a brolly-hop was a parachute jump. First recorded in 1932, the term – alluding to the umbrella-like canopy of the parachute – grew in popularity during the Second World War but had largely disappeared by the 1950s.

My Review of The Cabinet of Linguistic Curiosities

With an entry for every day of the year, The Cabinet of Linguistic Curiosities takes the reader across centuries and continents as long forgotten terms are brought back to life.

Now here’s the thing. I never do this, but I’m actually going to review a book I haven’t actually completely read!

When I got my copy of The Cabinet of Linguistic Curiosities I dashed straight to my birthday where I discovered ‘crack-halter, a ‘gallows-bird’, someone liable one day to be hanged; a habitual troublemaker‘. Hmm! I then looked at my wedding anniversary to find ‘escarmouche, a brief skirmish or fit of anger‘! After that I flitted about from one significant date to another, thoroughly enjoying the brilliant discoveries I made. Then I stopped. And now I’m savouring each day as it arises in the calendar because I don’t want reading this delightful selection of entries to be over too soon.

You can read The Cabinet of Linguistic Curiosities on a daily basis as I am now doing, or you can turn to the Wordfinder at the back of the book and select a word that takes your fancy. Either way, the entries are hugely entertaining. As well as the linguistic interest there’s history, sociology, geography and so many wondrous things to discover. I am so impressed by the incredible devotion to research that has gone in to finding the words, and making them available to the reader through totally accessible prose and providing the background to the word’s etymology and usage.

I’m absolutely adoring this book and think it would make a fantastic gift for any reader or writer. There are three friends at least who will be receiving copies from me. In the meantime, having read some of The Cabinet of Linguistic Curiosities I may now have to become a word-grubber, but until then I’m off to scurryfunge the house!

About Paul Anthony Jones


Paul Anthony Jones is something of a linguistic phenomenon. He runs @HaggardHawks Twitter feed, blog and YouTube channel, revealing daily word facts to 39,000 engaged followers.  His books include Word Drops (2015) and The Accidental Dictionary (2016).  His etymological contributions appear regularly, from the Guardian to the Telegraph, Buzzfeed to Huffington Post and BBC Radio 4.

You can follow Paul Anthony Jones on Twitter @paulanthjones, and visit his website.

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tour poster



Three Belongings: A Guest Post by Jen Waldo, Author of Why Stuff Matters

Why Stuff Matters Jacket

I’m delighted to be part of the launch celebrations for Jem Waldo’s new book, Why Stuff Matters. I’m married to a terrible (or should that be expert) hoarder who never throws anything away. As we’ve aged we’re realising that material possessions aren’t important and there are only a few things with deep sentimental meaning that we’d really hate to be parted from. With that in mind I asked Jen Waldo what three things she’s save from her possessions in the event of a fire and she’s telling us today.

Why Stuff Matters was published on 19th October by Arcadia Books and is available for purchase here.

Why Stuff Matters

Why Stuff Matters Jacket

When Jessica, a grieving widow, inherits an antique mall from her mother she also inherits the stallholders, an elderly, amoral, acquisitive, and paranoid collection.

When one of the vendors, a wily ex-con named Roxy, shoots her ex-husband, she calls on Jessica to help bury the body and soon Jessica is embroiled in cover-ups, lies, and misdirection. Into this mix comes Lizzie, Jessica’s late husband’s twelve-year-old daughter by his first marriage, who’s been dumped on Jessica’s doorstep by the child’s self-absorbed mother and it soon becomes apparent that Lizzie is as obsessed with material possessions as Jessica’s elderly tenants.

Why Stuff Matters is a compelling ode to possession, why people like things and the curious lengths they will go to keep them. Returning to her fictional Caprock, Waldo turns her wry wit on the lives of those afraid to let go.

Three Belongings

A Guest Post by Jen Waldo

If I had to evacuate because of a fire, what three things would I save? Considering that my new novel, Why Stuff Matters, addresses a small community’s obsession with material possessions, this is a relevant question. Also, fires do occasionally sweep through this portion of Texas, so the possibility of this scenario coming true is a literal concern as well as a figurative one.

The first thing I’d grab would be my laptop, which goes with me every time I spend a night away from home. Over this one item, I’ll admit to obsession. I write every morning. It is invariably what I do. Even if I were evacuated to some stale hotel while my home burned down, I’d write.

The next thing I’d take with me is woefully unoriginal. I’d take the photo albums. Not that I ever spend time browsing through them, but as a family we’ve had adventures. I think our sons would want me to rescue pictures of them as children riding camels, hiking through the Scottish highlands, scrambling around the ruins of Petra, or strolling through the tulips at Keukenhof.

Lastly, I’d dump the little dishes that hold my jewelry into my leather jewelry box that’s meant for traveling. Necklaces, earrings, rings—the usual stuff, but it’s nice stuff and I wouldn’t want to lose it.

Now keep in mind that for us, a fire might become a reality. We live amongst a lot of splintery cedar trees and undergrowth, and when there’s been no rain for a couple of months, the area becomes frighteningly dry. But there would be warning. An evacuation notice would be given; we’d have ample time to gather some clothes, pack up, and get out.

It’s not like my husband and I haven’t discussed the likelihood and made a plan. The first thing in the truck will be the laptop. Then, while I gather the photo albums and jewelry, David would be freeing the art from the walls. We’ve collected some nice oils and batiks over the years, and each piece holds a memory—where we got it, how we haggled to get the price down, the endless discussion of where we’d hang it. In many cases, we know the artist.

After all this stuff is in the truck, we’d walk through and see what else we could save—probably a few small pieces of furniture. Together, we’d lift and carry the rosewood chest that reigns from the end of the hallway, purchased in Sorrento. And another chest; we bought it in Vietnam when we lived in Singapore and ended up paying the price again in duty to get it into the country. Live and learn. We’d slide both of these chests into the bed of the truck.

And that’s it. That’s all the truck will hold.

While I’ve written about the items I hold most dear, I’m also aware that it’s just stuff. However, having said that, a few months ago David and I loaded up the truck and went on a road trip. Four hours into it, we stopped for lunch. I walked around the back of the truck and saw that we’d driven that whole way with the tailgate open. Our luggage and David’s golf clubs were still there, but we lost a box of items that I’d put in at the last minute. The box held two new beach towels, laundry detergent, sunscreen, a bottle of Grey Goose, and two bottles of a really nice Malbec. I didn’t spare a thought about how this box, falling on the highway, could have caused an accident. I was upset over the loss of the stuff. I felt befuddled and incomplete until every one of those items had been replaced. It seems I have more in common with the acquisitive folk in Why Stuff Matters than I thought.

(I think perhaps we all do Jen!)

About Jen Waldo

Jen Waldo

Jen Waldo has lived in seven countries over a thirty-year period, and now lives in Marble Falls, Texas with her husband, David and small dog Trip. She first started writing in Cairo, where she struggled to find interesting things to read and decided to write something for herself. Finding pleasure and power in the process of creating, she has since earned a Masters of Fine Art, has been published in The European, and has been shortlisted in a competition by Traveler.

She is often asked why, with her knowledge of international cultures and settings, she places her novels in a stark dry town in North Texas. It’s because it’s the place she knows best – the dusty gusts, the flat earth, the square houses, the late-summer thunderstorms. The people are stocky, stubborn, religious, big-hearted, abhorrent toward change, and suspicious of success. She’s grateful to Amarillo for providing colourful characters and a background of relentless whistling wind.

To find out more you can visit Jen’s website.

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Why Stuff Matters poster

Sir Chocolate and the Condensed Milk River Story and Cookbook by Robbie and Michael Cheadle

sir chocolate

Now, when I heard that there is a book, Sir Chocolate and the Condensed Milk River Story and Cookbook, that features chocolate and happens to be written by Robbie Cheadle (with help from her son Michael), who has been a fabulous supporter of Linda’s Book Bag, I just had to feature it here.

Today, I’m reviewing Sir Chocolate and the Condensed Milk River Story and Cookbook and have a lovely post from Robbie giving insight into how the book came about.

Sir Chocolate and the Condensed Milk River Story and Cookbook is available for purchase here.

Sir Chocolate and the Condensed Milk River Story and Cookbook

sir chocolate

The Condensed Milk River where Sir Chocolate goes fishing has stopped flowing. The water creatures are losing their homes.

Can Sir Chocolate and Lady Sweet solve this problem?

Five lovely new recipes are also included.

The Writing of Sir Chocolate and the Condensed Milk River Story and Cookbook

A Guest Post by Robbie Cheadle

Michael and I like to bake and we have been reading together for most of his 11-year life. Michael likes to be read to but he is not as enthusiastic to read himself. To encourage him we now have a nightly habit of reading in tandem. I read one page and he reads the next. He usually only reads three or four complete pages but it is great practice for him and my reading helps move the story along at a quicker pace. If the book is good, I often read more to him.

The writing of Sir Chocolate was one of my endeavors to encourage Michael to read and write. Michael had this lovely idea about a little man made of chocolate who lives in Chocolate Land where you can eat everything. We started writing down various little stories together.

Our current book was a collaboration that included my niece, Emily. We were all on holiday at the coast together and the weather wasn’t great. One morning we were all sitting together drinking cocoa, made by my Dad with condensed milk, when the idea of a river of condensed milk popped up. The three of us sat down and wrote a story together about this idea and that became Sir Chocolate and the Condensed Milk River story and cookbook.

Michael loves the trolls from Book 1: Sir Chocolate and the Strawberry Cream Berries story and cook book and so the troll family made a reappearance in Book 4. Emily was most concerned about the creatures that lived in the river and she introduced the ideas of the struggles of the fish and other water creatures in the book.

Later, after we had all returned home, Michael and I were making the illustrations for the book from cake, fondant and biscuits. The topic of a lady troll came up. I didn’t think you got lady trolls but Michael was quite certain you did. Who would be the mother otherwise? A most important question in Michael’s world. I thought trolls just appeared; like the giants in Roald Dahl’s story The BFG but apparently not. Lady trolls do exist and both Michael and my versions of Ma Troll made their way into our new book.

(And Michael is quite right Robbie!)

My Review of Sir Chocolate and the Condensed Milk River Story and Cookbook

Books and chocolate – the perfect combination.

I wasn’t sure what to expect from Robbie Cheadle’s Sir Chocolate and the Condensed Milk River Story and Cookbook, but it still took me by surprise.

Firstly, the illustrations (made from fondant and cakes) are incredible and enhance the narrative so skilfully. I got quite hungry just looking at the photographs and that was before I even got to the recipes.

I thought the rhyme scheme was very well maintained making the book good for slightly older reluctant readers as well as enhancing the vocabulary of younger readers. I don’t know if it was deliberate, but I really liked the concept of trolls saving the day. They are usually seen as negative and violent creatures and I felt the underlying message of being helpful and not judging others by appearances was perfectly pitched.

I really enjoyed the whole creativity of this book, not just from the imaginative story set in a land where all things can be eaten, but I loved the accessible recipes and the poem It’s A Boy, which came as a surprise and a more adult element to the book, too.

Sir Chocolate and the Condensed Milk River Story and Cookbook is a feel good, creative book that can be enjoyed on many levels by both adults and children of all ages alike.

About Robbie Cheadle


Robbie Cheadle was born in London in the United Kingdom. Her father died when she was three months old and her mother emmigrated to South Africa with her tiny baby girl. Robbie has lived in Johannesburg, George and Cape Town in South Africa and attended fourteen different schools. This gave her lots of opportunities to meet new people and learn lots of social skills as she was frequently “the new girl”.

Robbie is a qualified Chartered Accountant and specialises in corporate finance with a specific interest in listed entities and stock markets. Robbie has written a number of publications on listing equities and debt instruments in Africa and foreign direct investment into Africa.

Robbie is married to Terence Cheadle and they have two lovely boys, Gregory and Michael. Michael (aged 11) is the co-author of the Sir Chocolate series of books and attends school in Johannesburg. Gregory (aged 14) is an avid reader and assists Robbie and Michael with filming and editing their YouTube videos and editing their books. Robbie is also the author of the new Silly Willy series the first of which, Silly Willy goes to Cape Town, is now available.

You can follow Robbie on Twitter @bakeandwrite and visit her blog.

You’ll find all Robbie’s books here.

A Publication Day Interview with Elizabeth Jane Corbett, Author of The Tides Between


I’m so pleased to be interviewing Elizabeth Jane Corbett on publication day for The Tides Between because Elizabeth has always been such a generous supporter of Linda’s Book Bag and it’s lovely to be able to do something for her in return.

The Tides Between is published by Odyssey, today, 20th October 2017, and is available for purchase in the usual online places including Amazon and through the publisher links here.

The Tides Between


She fancied herself part of a timeless chain, without beginning or end, linked only by the silver strong words of its tellers.

In the year 1841, on the eve of her departure from London, Bridie Stewart’s mother demands she forget her dead father and prepare for a sensible, adult life in Port Phillip. Desperate to save her childhood memories, fifteen-year-old Bridie is determined to smuggle a notebook filled with her father’s fairy-tales to the far side of the world.

When Rhys Bevan, a soft-voiced young storyteller and fellow traveller realises Bridie is hiding something, a magical friendship is born. But Rhys has his own secrets and the words written in Bridie’s notebook carry a dark, double meaning.

As they inch towards their destination, Rhys’s past returns to haunt him. Bridie grapples with the implications of her dad’s final message. The pair take refuge in fairy tales, little expecting the trouble it will cause.

An Interview with Elizabeth Jane Corbett

Welcome to Linda’s Book Bag, Elizabeth. Thank you so much for agreeing to answer some questions on my blog about your writing and The Tides Between in particular.

Firstly, please could you tell me why you write?

I require a great deal of solitude to maintain my sense of equilibrium. Writing is a solitary activity in which I am able to become completely immersed. I journal as a form of meditation, I always write emails in preference to phone calls, I relate easily on written, social media platforms. Fictional words don’t always come easily. But if I persist I can sometimes write scenes that sing. That’s when I feel most alive.

When did you realise you were going to be a writer?

I grew up with stories of a writer in the family – John James a Welsh historical novelist back in the 1960s – and ever since I got lost on a lonely moor with the famous five, I’ve wanted to write a novel one day. I did, in fact, try once as a child. I decided to write a horse book. Trouble was, I didn’t know much about horses, so I didn’t get far (an early lesson on the importance of research).  I got serious again after my fortieth birthday – one of those what-have-I-done-with-my-life moments. I thought, If I’m going to write a novel, I’d better start, before it is too late. I’m still not sure if I’d call myself a ‘real’ writer – just a woman who had a mid-life crisis, wrote a few stories, and got lucky.

(Oh – you’re definitely a ‘real’ writer Elizabeth!)

What are your writing routines and where do you do most of your writing?

I started writing with a second-hand laptop and a desk we’d picked up off the side of the road and squeezed into the corner of our bedroom. Now, my husband and I live alone. I therefore have my own office. But when I am researching and plotting I like to sit at the dining room table. Generally, I start the day with social media in bed (around 8 am). I journal in my dressing gown and then read, plot, and write for the remainder of the day. My husband travels a great deal for work. When he is away, I work right through the day, eating on the job. When he is around, working from home, we always go out for coffee at lunch time. I stop to exercise around 5 pm. Then, I will often work on social media and administration in the early evening. I work casually as a librarian. So, I don’t follow this routine this every day. I could, though, given half a chance, quite easily.

The Tides Between is published today. How are you celebrating?

By blogging (as you do), having lunch with my husband and by repeating the words, my novel is published, over and over until they sink in.

(Yes indeed – your novel IS published!)

Without spoiling the plot, please could you tell us a bit about The Tides Between?

I am calling it an historical coming-of-age novel about fairy tales and facing the truth. Set almost entirely in the steerage compartment of a nineteenth century emigrant vessel, it tells the story of a young girl who has lost her father in tragic circumstances, a mysterious Welsh storyteller with dark secrets, and the ancient tales that will transform their journey.

I know that history is a large part of your life. Why are you so drawn to the past?

History was always my favourite in subject in school, perhaps it would have been, regardless of my life story. However, for me, my love of history has somehow become linked to my migrant experience.

I moved to Australia with my family when I was a five years old. My British parents knew little about their new home. They certainly didn’t know anything about Australian children’s literature. So, I read the books they’d read as children. Enid Blyton’s mysteries and school stories, Malcom Saville’s, Lone Pine Series, Arthur Ransome’s, Swallows and Amazon books. I also read classics like Black Beauty and Peter Pan and children’s versions of Dickens and Shakespeare. These became mixed up with tales of a place my parents called ‘home.’ A place that was somewhere in the past. I can still recall my jolt of shock upon learning that Anne of Green Gables was set in Canada and not the past-place my parents called ‘home.’ We returned to the UK just before I turned twelve and it was all real – the castles, the beautiful old villages, the traditions, the winding country lanes, the cream teas, the badgers, the woods, the wellington boots, the foxes, the bracken on the moors – everything I’d ever read about in books was real. I’ve never quite recovered.

Fairy tales are at the heart of The Tides Between. How important is narrative tradition in fiction do you think?

Fairy tales were not part of my original story conception. I actually started out to write an Aussie immigration saga. As I read books about the early immigration system, a young girl entered my mind. I called her Bridie. I knew she had lost her father in tragic circumstances. I had this idea that she would meet a creative young couple on the voyage to Australia and they would help her reconcile her grief. Initially, they were Irish. However, I was planning a trip to the UK (my first since childhood) and was relying on long, lost family accommodation (as we stingy Aussie’s are wont to do). I didn’t have any Irish relatives. But, mum was Welsh. Hmm…maybe my creative young couple could come from Wales?

I didn’t know anything about Wales – apart from Rugby and male voice choirs. Rugby wasn’t invented in 1841 and, even if I could have invented a scenario in which a whole male-voice choir emigrated en-masse. I didn’t think a young girl would find it inspiring. Some quick research told me that Wales had a strong bardic culture. Hmm…maybe my Welsh characters could be storytellers?

Fairy tales and myths are of course early forms of storytelling. They fulfil the same purposes as good modern writing does – to entertain, to enlighten, to warn, to break our hearts open. I have read dozens of Welsh fairy tales, in the name of research, and a good number of books about the Welsh storytelling tradition. The highlight was being a course on Y Pedair Canc y Mabinogion – the four branches of the Mabinogion – in Welsh, while living in North Wales. I am far from being a Welsh fairy tale expert, simply a lover of Welsh tales. But my character is a poor Welsh miner’s son, so I reasoned he wouldn’t be an expert either. I also reasoned his versions of familiar tales would have been shaped by his life experiences.

Here is an excerpt from The Tides Between after Rhys tells the story of Llyn y Fan Fach – The Lake of the Small Peak – the tale of a fairy woman who married a mortal but returned to the lake after the man struck her three causelessly blows:

Bridie didn’t know how long she sat there after the story finished. An age it seemed—with her chest heaving and her hanky sodden, thinking of babies called home before their time, her dad’s long and bitter illness, his strange, turbulent moods, Ma’s even-now bitterness. She became aware of Siân’s soft humming, Rhys’ dark, considered gaze, the knot of onlookers drifting away. She sniffed, dabbing at her eyes.

            ‘Sorry. I won’t cry every time.’

            ‘No need to apologise, Bridie Stewart. There is no greater compliment to a story teller.’

            ‘But…Rhys? Do you think she wanted to leave?’

             ‘I don’t know bach. The story doesn’t tell us. Only that the maiden loved Ianto enough to thrust her sandaled foot forward and that she bore him three fine sons.’

            ‘But, laughing at a funeral, sobbing at a wedding? She wouldn’t have done those things, if she’d loved him.’

            ‘We don’t know why the Fairy Woman laughed at the funeral bach. Or indeed, why she sobbed at a wedding. Maybe she mourned for the bride, seeing problems others could not perceive? Maybe she grieved for her first life, the ones she’d left behind? But that doesn’t mean she didn’t love Ianto. Or that she wanted to leave him.’

            ‘I think it does. I think she hated him.’

            ‘Indeed, that is why you feel the story so deeply. You are not alone in that, Bridie bach. No doubt, Ianto asked himself the same questions. For they are the questions of the ages—how we tell a true story from one fashioned merely for entertainment. For in the plight of each character, we confront our heart’s reasons. Do not fear those reasons, be they ever so painful. Only promise you’ll write about them in your own version of the story.

(Wonderful Elizabeth!)

You also teach Welsh. How does an understanding of another language help your fiction writing?

The Welsh language is another accidental side-effect of trying to write an Aussie immigration saga. In addition to learning that Wales has a rich bardic culture, I also remembered the Welsh had their own language. Mum was from South Wales and the language had been lost in her family but I grew up with a few Welsh words – Arglwydd Mawr! – Lord Almighty! Dere ’ma – come here. We also had a twt (small things) drawer in our kitchen. Once I decided to include a Welsh character in my novel, I knew I’d have to learn a little more about the language (in 1841 Welsh was still widely spoken in South Wales).

To my surprise, I found there were Welsh classes in Melbourne. I enrolled for what I thought would be one term. But I had no idea Welsh was so beautiful. One term became two terms, then three. Before long, I was totally smitten with language – the words, the sounds, the letters were like a soul-song to me. I wasn’t a particularly diligent student. I had four teenagers still living at home. I’d been rubbish at languages in school. It was enough to simply be in the presence of those ancient words.

We went through a difficult time with our youngest daughter. My writing ground to a halt. I found myself in a pretty dark place emotionally. My husband suggested, I need to get away for a while. We had lots of frequent flyer points. So, I decided to go to Wales. At some point, I came across a free online course called Say Something in Welsh. The tutor, Aran, was so encouraging. He told me I was doing well, that I would succeed, that I could become a Welsh speaker. His words were like rain on parched earth. I felt like an absolute failure in every other area of my life. So, I chose to believe him. And it worked. I now tell everyone I walked through that difficult time holding onto the tail of an ancient language.

So, Welsh has been a huge part of my personal journey. I have no doubt the cultural connection has given me a great empathy for my characters. But more importantly, I have found my way home. The Welsh speaking Elizabeth Jane Corbett is a different person to her English-speaking equivalent. She tells different jokes, has a different tone and perspective on life. She also understands the desperation of Welsh speaking communities whose world is slowly being eroded.

My four children have grown up and left home. I return to Wales often. On one occasion, I spent seven months working at Stiwdio Maelor, a writers’ and artists residence in North Wales. While living at Maelor, I came across the idea for my current project – a novel written from the point-of-view of Owain Glyn Dŵr’s wife. I wouldn’t have come across the story if I wasn’t immersed in Welsh language culture. I have since grappled with whether I, an outsider, have the right to tell such a precious national story. On a recent research trip, I made contact with Welsh academics. In some instances, I sense they too are wondering: what is an Aussie doing writing one of our stories? Then I start speaking Welsh and I see their scepticism dissolve before my eyes.

You’ve had considerable success with your short stories (Beyond the Blackout Curtain, won the Bristol Short Story Prize. Another, Silent Night, was short listed for the Allan Marshall Short Story Award). What were the similarities and differences in writing a full length novel this time?

I write very few short stories. Primarily because I don’t read them very often. I love the novel as a form and, if the book is part of a series, even better. My short story ideas have generally hit me hard in some way. For example, Beyond the Blackout Curtain was inspired by a World War Two memory of my mum’s. I had this oh-my-God-I have-to-write-that-story moment. His Own Man, was inspired by the tears prickling my eyes in an Easter parade in the country town of Beechworth. Silent Night was written while my daughter was living on the streets. I wondered what would be like to have a child run away, forever. How would that effect you emotionally? If I get that kind of visceral response, I am motived to invest time. But short stories are heaps of work, especially if they have an historical setting. So, mostly I save myself for the long form.

Given that The Tides Between is set in the 1840s, how did you go about researching detail and ensuring it was authentic?

I read books about the voyage to Australia and then combed their bibliographies for primary source material. Much of it has been digitised – diaries, letters, instructions for surgeons on emigrant ships, pamphlets on the immigrant experience. I spent loads of time in Covent Garden (my protagonist’s father was a theatre musician), slept on a sailing ship overnight, went underground in the Big-Pit Museum (my Welsh storyteller was a miner’s son), visited the sites of my Welsh fairy tales, learned a language… Did I mention I have a mildly (cough) obsessive personality? Research is the easy part for me. Getting the words down is tougher. I wrestle constantly with self-doubt and fall into a slough of despair every time I have a manuscript assessment. But once I hear those words sing, the thrill returns. I am also part of an extremely supportive writing group (I am, without doubt, the neediest member).

(I think many authors will recognise themselves in your answer there.)

The Tides Between has a cover that suggests the mystical pull of the moon to me. How did that image come about and what were you hoping to convey (without spoiling the plot please!)?

My publisher chose the cover images. However, the moon is apt. The title, The Tides Between, is a play on words. The characters are living between decks. They are also caught between their old life and their new life. Bridie the protagonist is hovering between childhood and womanhood. Tides as you know are related to the lunar cycle. Women’s menstrual cycles are also monthly. In addition, I hope the moon gives the cover a mystical feel. For there are ancient Welsh charms and folklore in the novel as well as fairy tales.

If you could choose to be a character from The Tides Between, who would you be and why?

I think I’d have to be Alf, Bridie’s stepfather. He is the sensible, unsung hero of the story. Added to which, I don’t make him suffer nearly as much as Rhys and Bridie. However temperamentally I am more closely attuned to the latter, who both feel life deeply. I definitely wouldn’t want to be Siȃn. But I can’t tell you why without spoiling the story.

If The Tides Between became a film, who would you like to play Bridie and Rhys and why would you choose them?

Rhys – a young Aiden Turner (if he could do a suitable Welsh accent), or Joseph Fiennes, or Rufus Sewel (all young and dark haired, Rhys is only twenty-one years old). But Wales is absolutely brimming with acting talent. So, I’d say, any young, slender, dark-haired, Welsh speaking actor would do nicely.

Bridie – Georgia Henley (from Chronicles of Narnia), or a young Emma Watson would work.

When you’re not writing, what do you like to read?

I mostly read historical fiction set in Britain. Edith Pargetter is a long-time favourite author, as are Sharon K Penman and Dorothy Dunnett. I love a bit of magic realism, such as that found in Joanne Harris’s, or Carol Lovekin’s books. Anything quirky, historical or mystical that is set in Wales. I also read some Australian historical fiction.

If you had 15 words to persuade a reader that The Tides Between should be their next read, what would you say?

A young girl, her forbidden notebook, a mysterious Welsh storyteller – no one will arrive unchanged.

Sounds briliant Elizabeth. Thank you so much for your time in answering my questions.

About Elizabeth Jane Corbett

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When Elizabeth Jane Corbett isn’t writing, she works as a librarian, teaches Welsh at the Melbourne Celtic Club, writes articles for the Historical Novel Review and blogs at elizabethjanecorbett.com. In 2009, her short-story, Beyond the Blackout Curtain, won the Bristol Short Story Prize. Another, Silent Night, was short listed for the Allan Marshall Short Story Award. An early draft of her debut novel, The Tides Between, was shortlisted for a HarperCollins Varuna Manuscript Development Award.

Elizabeth lives with her husband, in a renovated timber cottage in Melbourne’s inner-north. She likes red shoes, dark chocolate, commuter cycling, and reading quirky, character driven novels set once-upon-a-time in lands far away.

You can find out more by following Elizabeth on Twitter @lizziejane, visiting her blog and finding her on Facebook.

Puppy: 12 Months of Rhymes and Smiles by Patrica Furstenberg


My grateful thanks to Patricia Furstenberg, author of Puppy: 12 Months of Rhymes and Smiles for sending me a copy of the book in return for an honest review. Patricia has featured on Linda’s Book Bag before with a super guest post that you can read here all about the importance of reading.

Published on 31st October 2017, Puppy: 12 Months of Rhymes and Smiles is available for purchase here.

Puppy: 12 Months of Rhymes and Smiles


A puppy’s first year is filled with findings, wiggles and laughter.
Puppies squirm in all the odd places, sniff all the strange objects, lick everything they can and find something to splash into even when we don’t want them to!

This book of poems explores the first year of a puppy’s life, going through an adventure after the other, one month at a time.

Puppy’s first days, puppy’s first weeks in a new home, puppy’s encounters with snow and the school bag, puppy’s duty to protect… What happens when puppy is full of good intentions, yet his actions go wrong?

Read the rhymes and laugh with your little one.

Puppy: 12 Months of Rhymes and Smiles is an auditory feast for children, a fun read-aloud for parents, and treat for dog-lovers, young and old.

My Review of Puppy:12 Months of Rhymes and Smiles

The first year in Puppy’s life sees a great many adventures and a lot to learn.

What a charming book this is. I must first commend Patricia Furstenberg on the fabulous quality of the illustrations as Puppy: 12 Months of Rhymes and Smiles could be enjoyed through the pictures alone as there is so much to look at and discuss. It would be just right for pre-school children. Although there are rhymes as suggested by the title, not all the text conforms to this pattern and I liked that. It means that language can be enhanced and explored whilst the story is being enjoyed.

I really liked the way the book is divided into months for the first year of Puppy’s life so that I could see a month per bedtime as a story, making it excellent value for money. In each month there’s a subtle moral or principle behind the story so that it might be about the importance of family at Christmas in December or the fact that starting school means attending every day and not just once as in the September tale, or the challenges of trying new experiences like going to the beach in July. All these elements means there’s something to talk about with young children and afford them the opportunity to consider what could be challenging concepts in a safe environment.

Another element that I found really satisfying was the underpinning love throughout. I felt as emotional as Granny at Christmas! Here we have a book that exemplifies caring for your family and being together, making it a lovely book to share together.

One thing I would say is that I think Puppy would be fantastic for merchandising. Any child would adore a Puppy cuddly toy (and so would this adult!).

About Patricia Furstenberg

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Patricia Furstenberg came to writing though reading. After completing her Medical Degree in Romania she moved to South Africa where she now lives with her husband, children and their dogs. Patricia became taking writing seriously  after becoming one of the WYO Christie winners. She enjoys writing for children  because she can take abstract, grown-up concepts and package them it in attractive, child-friendly ways while adding sensitivity and lots of love.

All of Patricia’s children’s books are available here.

You can follow Patricia on Twitter, find her on Facebook and visit her website. She’s also on Goodreads.